Madonna Fiorentina

Cari Amici (Dear Friends),

Street painting in Italy has helped me to meet a great number of people that I would not have met without this art activity. One of my colleagues in the art of the madonnari is a Florentine-born young woman named Laura. I always thought her face striking and of a certain type that seemed so classical in shape and coloring that I had recognized from this part of the world. For years, I had thought to paint her face.

As luck would have it, back in 2009, she told me that she wanted to try modeling. So I hired her for one of my Open Studios in Florence and drew the charcoal sketch of her portrait that you see here.


I am not sure what exactly made me re-create this work with Laura as a Madonna portrait, but it probably had something to do that we both work as madonnari. Madonnara is the Italian word for one female streetpainter. The word is based on the history of these artists creating devotional drawings to the Madonna in the streets in front of the churches in Italy.

I created this artwork titled “Madonna Fiorentina” in pastel on Pastelbord. She is 12” x 9” I include a detail shot here because I want to show you how softly textured pastel on board looks. It is quite lovely.

Happy Birthday, Mamma Mia!

Crocodile Hangs in Church Italy

Cari Amici (Dear Friends),

So my last two blog entries were about the streetpainting festival in northern Italy in il Piazzale del Santuario della Madonna delle Grazie (the large square in front of the Shrine of Our Lady of Grace) in the small town of Grazie di Curtatone.

After I finished my work, I took a look at others and also entered the church. I must say that I have never seen a church quite like this one. The sides of the church were lined with wooden columns and sculptures, but some depicted men being tortured and killed. Only, as one of my Italian friends explained, they apparently did not die. This church wanted to show the miracles that have happened, perhaps in this region.

That might even explain why there is a crocodile hanging from the ceiling near the back of the church (see the photo with the chandelier). Apparently a few years back, he was found in the nearby lake. His presence there must have been quite a shock and for at least the last two years, some madonnari have chosen to honor him in their streetpaintings.

Another side note on the wooden columns. Maybe it is just me, but I could have sworn that decorative patterns on these columns and side walls were made with light wooden body parts, namely hands and boobs. Those shapes are interesting and when repeated in lines, create a rather artistic effect. Still, did I really see nude castrated boobs in a church? Davvero?

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Streetpainting Grazie Di Curtatone Italy

Cari Amici (Dear Friends),

Grazie di Curtatone in northern Italy recently hosted its 38th Annual Streetpainting Festival. The art of the madonnnari (as streetpainters are called in Italia) began centuries ago as devotional drawings outside of the churches, most often depicting the Madonna, hence the name.

This festival is also a competition with a sacred theme. Any madonnaro/a may draw anything, but if the judges determine your work does not fit the theme, the artist is ineligible for prizes. It is important to win a medal here so that one may eventually earn the title of Maestro. This earns the artist more money. And it does not matter if one is a master artist in general, she must earn this title specifically in this city for it to mean anything.

The money is important because each year, they have been paying the artists less and less. And some artists have traveled a long way to be here and the food is expensive. There are free accommodations if you do not have a problem sleeping in a smelly tent on a wooden floor with bunches of other streetpainters. Artists use up a whole lot more pastel and chalk on this particularly hard street, and if you do not finish your work during the night, be prepared to draw in full sun in August.

Despite all of these obstacles, il Piazzale del Santuario della Madonna delle Grazie (the large square in front of the Shrine of Our Lady of Grace) gets filled with art of all kinds. Today, I am including only a few more images. Even the more political ones at the end were beautifully done and not even particularly controversial.

Because of the rain the night before, we all had from 8 a.m. to 8 p.m. to draw, instead of the 24 hours straight that we have normally.

Seductive Pastel Drawing in Florence, Italy

Cari Amici (Dear Friends),

While I was in Texas this summer, I found the image I took many years ago of the original portrait painting “Madonna Blu” by Italian artist Carlo Dolci. It is so much better than the image off of the Web that I worked from last year. Yesterday I was called to see if I wanted to fill a vacancy in one of the spaces for the madonnari in Florence, Italy. I could not arrive until 3 p.m., so I decided to try again the “Blue Madonna”

What a great day I had! One of the most common questions I hear from visitors who watch me paint on the street is, “Isn’t it difficult to have to wash away your work each day?” Well, I thought it would be, but some days I realize how freeing this experience can be. In one way, the pressure is off. (But yes, your bad drawing days are SO public!) One is reminded that it is just chalk (pastels) and only a street. It is a day to experiment and learn.


Yesterday, I tried to put more color into the portrait. I first outlined the shapes of my light patterns and then the darks. I then began to layer various colors within those forms. It looks a bit wild here (see image on the left), but after . . . I love taking my hands and mushing the pastels carefully to blend. One time I noticed a couple standing behind me watching as I put the layers in. I got the feeling that they thought I was not doing such a good job and as I prepared to blend, I exclaimed, “Wait, do not leave, this is the exciting part!” They did not believe me (or perhaps they were afraid that I would expect a tip!).
They left and I went on with my joy.


Yesterday I realized that one problem I have in the studio is that paper and canvas do not even remotely resemble pavement. Sometime the texture of the street is awful, but when it is pure texture (vs. grease or large holes or lines), the result is glorious! I include the close-up images of the mouth area because I feel this pastel portrait drawing is very sculptural and I was pleased with my efforts. My hands have been rubbed raw though, so I hope the police do not want my fingerprints! No pain, no gain. Ha!


I took this next image after the sun went down and without a flash on my camera. But I love this “light emerging from darkness” concept that I have been working with for a while now. She is mysterious in her serenity, do you not agree?

While many people gave me compliments and took fotos, this was not a good earning day. It surprised me because last year when I drew this image as my first time as a madonnara, I earned three times as much! However, the day was not lost. I met many wonderful people. I loaned chalk to several children as they shyly added to my drawing. One boy, Niccolò, loved posing for his father (who gave his permission for me to post this image of Nico and me).

I also met some musicians from Florence and Tunisia, a young couple (both animators and teachers) from Singapore, two young men from Peru (one spent much time showing me his current photographs of shadows and graffiti art from the train station of Firenze Rifredi – beautiful images). In addition to that, I was again interviewed by a journalist writing about culture in Florence. Maybe I can be published again ;-) I am finding myself totally charmed by a specific northern Italian accent that I hear sometimes here in Florence.

And later, my friend opera singer Miriam Léah, featured on my blog last March, came to visit with her boyfriend James. After she gave her concert (for tips) at the Duomo, she came back to Via Calimala and sang for me. She is very sweet and her voice fits the narrow streets of Florence beautifully (and she said the intimate nature of the area of Via Calimala and Via Porta Rossa is better for her voice than the open space in front of the Duomo).

They hung out with me until I washed away my drawing around midnight. Here you can see the three of us, my copy of Carlo Dolci’s “Madonna Blu” and my friend Hafiza’s bike, which I am honored to have the use of while I live in Florence.

Opera Singer Miriam Léah’s MySpace Page (Hear her sing!)

See my first street painting of Carlo Dolci’s Blue Madonna

Street Painting in Florence, Italy

Cari Amici (Dear Friends),

Yesterday I again worked as a madonnara on Via Calimala in Florence, Italy. Someone asked me if I ever did the same picture twice. Well, that day I attempted to draw again Pompeo Batoni’s “Madonna and Child” from 1742.

I include here an image of both day’s efforts. I struggle with drawing or painting faces and working on the street is even more difficult than working vertically and on my feet. I find it interesting how different both of my attempts are. I have made quite a few improvements on the madonna’s face, especially in the hair and the dark side of the face. The shorter nose seems more feminine and young to me.

But I see many things that I need to improve. I hope to get the opportunity. One Italian woman asked if I would paint this image on tela (canvas) so she could buy it. Time will tell if she is truly interested. In the meantime, I continue to work on improving my understanding of design and shapes – and color.

If you happen to be in Florence, Italy, on Monday, September 29, please stop by and see me. I will be working the space near the Mercato Porcellino. I usually arrive between 10 and 11 am and draw until mezzanotte (midnight). Cold temperatures and rain usually send me home earlier.

Street Painting in Florence, Italy

Cari Amici,
Coming to you not even live (hey, I resemble that remark!) from Florence, Italy . . . Happy St. Patrick’s Day!

It also happens to be Monday, so I have spent my day as an Italian madonnara. I had to share this with you since I am so happy to have access to the Internet again.
So, anyway, I chose to draw a portrait of a Madonna by Sassoferrato in 1640 AD. This first image shows how I got started today. I am not particularly comfortable with my skills with pastels, so while I try to lay out a basic pattern of light and dark shapes, I do not have the layering skills that true pastel artists have mastered.


And thus, you see image # 2 after I have mooshed all of my hatched layers together with my hands. This technique is part of the reason I tend to wear so much chalk color on my face and clothes! Oh, and please let me know if this post had too many images for your taste. I get fascinated by process that I worry sometimes that I am overwhelming others.

I should have gotten the face more in proportion to the original print I had to work from since using a grid is supposed to help the artist. However, I have some bizarre resistance to measuring and creating straight lines. So, while I do a lame job of laying out my grid (or as they say in Britain – I can’t be bothered to create a proper grid), I suppose I am not troubled by the result enough to change. Stubborn Irish girl!

The third image is of me working on my disegno. I cannot seem to get enough darks to make me happy. Also, I think this image of a face (only) emerging from the street is creepy in a cool way. And yes, I was wearing a GREEN turtleneck under my suspenders on the jeans that my sister Amber gave me last August. You just cannot see it since I added the white pullover from Sophie and later, my jean jacket. I also had drawn a shamrock to the left of my Madonna image.

This fourth image was taken when my friend Skye dropped by for a visit while she worked the crowds in centroFlorence, handing out pubblicità for a bar on Via Dei Benci. Note her lovely green wig to celebrate St. Patrick’s Day. I actually did enjoy today, although my body has already started to pay, because I had so many friends drop by to look and give their enthusiastic support. I get a kick out of hearing my name called out in Florence.

This next image of the hands with the face basically done, while the veil leaves much to be desired, was taken around 18:00. I started my work around 14:00. I had to wait for Tomo, one of the top madonnari here, to use my space for a videographer. Claudio is still hoping for enough public support that the madonnari will be able to keep making street paintings in Florence after 31 March 2008. Anyway, my friend Abdu stopped by again and said he really loved this partly done look.

But, I moved past that . . . I quit just before 22:00. The tourists are coming more now, but not enough yet to stay until midnight, as I did in September 2007. This image was taken by another friend of me with my work on Via Calimala.



And finally, I show you the finished chalk drawing. The word ‘takk’ that you see is Norwegian for ‘thank you.’ Besides getting a generous tip from some traveling Texans (Texans have always been decent tippers, from my experiences), a couple of Norwegian music students gave me some Norwegian coins and wrote the word out for me. I told them the money is very cool and I like it, but I took the coins out of the buckets and put them into my pocket so as to not encourage other people to leave money that I cannot buy food with here in Italia. With the US dollar so weak right now, it is better for me to earn what I can in euros to avoid the costly exchange rates.

And, today I received more questions than usual about “how can you wash this away tonight?” So this last image is of my washing my square to prepare it for tomorrow’s artist.

Buona notte! I am exhausted!
And thank you for reading! TAKK. Grazie mille!
Ciao,
Kelly

"Blue Madonna" - Painting

Hello again. I had such a good response painting my version of the "Blue Madonna" by Carlo Dolci on Via Calimala in Florence, Italy, last Wednesday. Some examples:
One Italian couple asked me why I was not painting on "tela" -- the Italian word for 'canvas'.
I received a possible commission to create a mural in a small town about 40 km from Firenze.
And one very lovely American girl from New York with big brown eyes (who looked a little like the actress Anne Hathaway) exclaimed that this was the most striking painting she had ever seen here -- and "I live right over there [she points] and I walk down this street everyday to see the art!"
Another man returned to my space around midnight to find me washing my artwork away. He shook his head and said, "I do not know how you can make it disappear. That [artwork] was brilliant!"

Brilliant? Perhaps not, but I appreciated his sentiment just the same. That said, I decided to start painting, now that I am more settled and have finished my application for 'rinnovo' of my 'permesso di soggiorno' -- renewing my 'permission to stay' permit. And why not create something more permanent in this striking blue? Here is a view of my little room above Piazza Santa Croce. You may see my work-in-progress on the right. While I was all gung-ho to get to
work, I realized that I had forgotten to buy some mineral spirits for oil painting -- cannot take THAT with one on the plane. (Oh - yes, my lagging piece of luggage was delivered to me at my friend Jay's apartment last Monday, so all is well on that end.)

Since it was about 1:30 p.m. when I realized I could not oil paint (and most shops in Italia are closed for a long and social lunch), I chose instead to do an under-painting in acrylic. This is what you see here. After 3:30 p.m., I was able to get back to the art supply store and buy some 'trementina' -- turpentine (spirits were not available). I will keep you posted, so stay tuned . . .

Madonnara - Street Painting

So on 12 Settembre, I just tried my hand at becoming a 'madonnara' -- a street painter in central Firenze (Florence). This being my first time, I thought it would be funny to depict a virgin. No, seriously, I was trying to find something a little different from what I had seen here, but that would appeal to my audience. My friend Mark Cummings (San Francisco) told me that 'madonnas go over BIG in Italia.'
Allora, I had bought many pastels and a few other supplies while in Texas, thinking it would be more cost effective. I had wanted to try this during my last visit to Firenze, but . . .
Anyway, I chose the "Blue Madonna" an oil painting by Carlo Dolci that I had seen at the Ringling Museum of Art in Sarasota, Florida. Such a beautiful work and love those blues!
I am attaching an image that a tourista took of me while working. In one day (I started about 11 am) I tried working in this new media for me, in color, and on a street! What a canvas.
I finished as much as I wanted to a bit earlier than I thought I would, but I stayed working until almost midnight. There were many visitors throughout the day and evening. Most were very complimentary and many were impressed to learn that I have not done this before. Although I definitely wore more pastel than other artists do! Colorful dust everywhere and at the end of the night, I wash the entire artwork away to make it known to the street cleaners in the morning that a new artist will start in my square that next day.

I will also be trying again next Wednesday, so if you find yourself in Firenze soon, check it out! I am working near Piazza della Repubblica -- closer to the Straw Market.
Ciao, and thank you for reading.