Dear Art Lover,
Perhaps one of the most common
questions artists get
asked is, “How long did it take you to make that?”
Discussions among artists usually result in the ultimate response, “My entire
life: Each thing I ever learned became the foundation of each new work.”This is hardly fulfilling to the onlooker, though, is it? He just wanted a simple answer to satisfy a curiosity, not really the whole truth. I hate this question because I have no easy answer. Most of the problem lies in that I rarely work on one piece at a time. And, no, I do not punch a time clock with each changing task or project. The other problem is that there is a difference between how long it REALLY takes to create a work of art and how long it takes just to EXECUTE the idea. For me, it happens in the brain for some indefinite amount of time, often longer than it takes to paint or even sculpt the baby. However, I decided to take a stab at some time frames and hope to satisfy some curiosity. As smarts would have it, these works are still available at the time of this writing. Just contact me if you would like to make one or more yours (or give as a gift). Subtle, huh? And please do not forget to visit the galleries who exhibit my work: See Don Elliott and Chuck at The Franklin Barry Gallery in Indianapolis and Mark Palmerton in Norman, Oklahoma, at The Crucible Bronze Foundry and Gallery.
Thank you for your interest!
|
Pelican
Lips: Started carving in March 2006,
after I had already begun the Lips Series of stone carvings. Finished: August 2006 Available: $3000. ++++++++++++++++++++ |
The
Lookout started out in the Spring of 1999 as “Jennifer,” a
full-standing 3-d figure half-life-size, modeled from life. In those days, in
order to jumpstart my career, I was casting two bronzes at once in each
edition: one for a gallery and the other for my own exhibitions. However, the
foundry in Bastrop, Texas, did a terrible job on the mold and wax work. When
I called to make an appointment to proof the wax, I was told that they had
already begun the ceramic slurry mold and it was too late! The result was
that one bronze had a much-distorted thumb and a few other things that made
me unhappy. I was so new to the sculpting business that I did not know I
could refuse such work.
It was not until 2007 that I
decided to cut her up and keep what I liked about her. I created a new
composition, casting swirly fabric designs and then had them welding onto the
existing figure. My new foundry needed a couple of months for this and John
and I did the finishing work for this one-of-a-kind bronze. “Jennifer” became
a wall-hanging as The
:Lookout. So… eight years in the making? She is available for
only $5,200.
Here
is a convenient price list for all the available sculptures:
http://www.borsheimarts.com/pricelist.htm#sculpture |
Stairway to Heaven, in Texas awaiting a new home
|
Then you have Stairway
to Heaven, an angel (and a stairway!) carved out of a PINK
limestone from Texas. I started March 8, 2011 and finished in October 2011.
During that same summer, I also finished the marble “Gymnast” and the writing
and editing of my book, “My
Life as a Street Painter in Florence, Italy” when I spent about two
months living with my pregnant sister while her husband was in Afghanistan.
Do you see the problem about “how long did that take you?”
Stairway
to Heaven, is available for $900, if you do not mind the natural
patina she has developed. Message me for more information, please.
Here
is a convenient price list for all the available sculptures:
http://www.borsheimarts.com/pricelist.htm#sculpture |
Comfort
is a sculpture I made in clay [terra-cotta] that took about 2-3 days. I did
not use models for this work.
And while the Web page says that
I made a mold of this for a future bronze edition, I do not think that I ever
did it, as life got in the way. So this is a unique piece. $1,200.
Here
is a convenient price list for all the available sculptures:
http://www.borsheimarts.com/pricelist.htm#sculpture |
Here I am with my charcoal drawing
of a gesso (plaster) portrait sculpture. The gesso is a copy of the famous
Italian sculptor Donatello's portrait of the banker of the Medici family,
Niccolò da Uzzano. The original terra-cotta portrait sculpture is in the
collection of the Bargello Museum in Florence, Italy.
For this project, I used the
sight-size method of drawing [which means that all observations and judgements
are made from about 2 meters from the art and LOTS of pacing the floor]. If you
would like to learn more about sight-size, as well as see the finished artwork,
click on the link below.
This work took me on average five
hours, six days per week for about ten weeks. Niccolò is available for only
$2600, or giclée reproductions are available for less than $500.
See the drawing process for Niccolò here:
http://www.borsheimarts.com/charcoal-drawing/2008/niccolodauzzano.htm
http://www.borsheimarts.com/charcoal-drawing/2008/niccolodauzzano.htm
and check out the sizes and prices for the high
quality reproductions here:
http://www.borsheimarts.com/giclee.htm
http://www.borsheimarts.com/giclee.htm
Birds of Paradise probably
took me two-to-three afternoons, between stone carving times: $575 for the pair
12 x 12 inch thick-gallery-wrapped canvas with metallic paint.
Happy, happy birthday(s) to my Aunt
Nancy and my beautiful friend Kumiko Suzuki!
Thank
you.
Kelly
~ Kelly Borsheim, sculptor,
painter, writer, teacher