Dear Art Lover,
I was delighted to take a break from carving
my Pinocchio sculpture in the local stone, Pietra Serena. Marco
Nardini (of the quarry Cava Nardini in Vellano, Toscana, Italia)
had received a visitor and he was great to share with me some of the history of
the quarry. This man Giovanni Cosci’s grandfather and
his father had worked in the quarries years before, although he told me that
the grandfather had a better talent with the stone than his father had.
He went on to explain some of the history
of stone quarrying in this area. After
WWII there was a LOT of work, reconstructing roads and bridges. Cava
Nardini had another proprietor in those days. After the roads and homes were rebuilt as
needed, the labor force moved into the paper factories that line the river in
this valley called Valleriana, north of Pescia in Tuscany. Sadly, today there are only two paper
factories left as the economic crisis eats up the futures of many Italians.
Giovanni said that Germano
Nardini, Marco’s father, took a huge risk when he bought the quarry. None of the shop buildings we see today, the
office, or even the large flat area with is so easy to work in now existed back
then. Germano slowly and persistently
created his new business with determined tenacity. And his son Marco was soon by his side.
View of the Tuscan Hills from Cava Nardini, Italy |
View from the top part of Cava Nardini, looking down. |
I love the descriptions of the quarry work
from those post-war days. Young sons would
arrive in time to bring their fathers a lunch of coffee and bread. One
could hear, “Bimbo, vieni qui!”
[Little boy, come here!”] once it was a safe time for the boys to enter.
After war, there was lots of work in many
quarries in the area to rebuild after the bombings. Later, the work dropped off and the workers moved
to the paper mills [if my understanding of Italian was accurate]. Today, Cava Nardini is the only quarry is the
area of Vellano, although there are a few others still in existence closer to
Abetone.
Many hammer heads and one handle. When lose, we put in water to soak up into the handle, tightening the fit. |
Harvesting this hard grey stone (a
sandstone) that you see in the buildings around Tuscany, including Florence, was
not easy. A man would climb up into the
mountains, mind you, Giovanni clarified for me, not smooth and accessible the
way the quarry looks today, but rough, rugged wooded mountains. While hanging from a rope, a quarryman would
have to slowly hammer a long [his hand motioned about a 2.5 feet length]
stick of iron into the rock He would
hammer and twist and then remove the metal to take out the resulting sand. Piano, piano, all while swinging from a rope. And he would repeat this “hand drilling”
until the hole was deep enough. What
difficult work, especially given the angles and suspension! Many of these long thin holes had to be
hand-drilled into the stone mountains along the lines in which another
quarryman had determined the cut should be.
Two "pins and feathers" sets used to remove a larger piece of stone from Kelly's scupture. |
The holes were then filled with explosive
powder. The men near the holes, once
ready, would then holler to the man below, “La Mina!” That receiving man would then yell to those
below him, “La Mina!” Each man below
another would continue this message to those further down the mountain.
When I asked Giovanni to repeat the
phrase that the men yelled, he said, “La Mina!” [literally, “the mine”]. Marco interjected at this point, “As in the [bombshell]
Italian singer, Mina.” She, Mina
Anna Mazzini (born 25 March 1940), is still quite popular today.
After passing the message down the
mountain, each man would take cover or at the very least stand directly behind
a tree. Five minutes later, the fuse was
lit and the bomb was heard throughout the valley as the stone was released from
the mountain block.
Germano is now 83 years old, but you
would not know it so much. While his son
Marco runs the quarry, Germano is often around, at least when my friend Kumiko
and I have been there. Germano still
operates the large machinery to move or break pietra serena into uneven blocks
used by the muratori (wall builders)
for homes in the valley.
Germano Nardini lends a chisel to sculptor Roberto Politano. |
Germano Nardini presents sculptor Kumiko Suzuki with a paper hat. |
At 83 years old, Germano seems unstoppable! |
Germano is helpful and always joking. He offers advice when he sees something he
thinks we can improve upon, including staying cleaner by using the traditional
paper hat, creating several for each sculptor in our symposium. He is someone we all like and respect, even
though he asked each of us at one point or another, “Did you learn nothing in
school? Must I teach everything?” ahha.. He even rakes the stone chips away
from our sites to help us not trip over them.
On the downside, he does suffer lung problems because he has breathed in
too much stone dust.
Kumiko has a conversation with the maestro. |
++++
Although these links are to sites in
Italian, Google translate is enough to give you some more insight into the
history of marble and other stone quarrying processes in Italy.
Good page for marble in Carrara, the Lizzatura [moving the marble from the
mountains to the sea, re-enacted each August or perhaps every other year…it was
this year on August 7, Sunday], and includes historic images. Especially interesting is the description of
“Apuan Alps - The lizzatura the Monolith took place in November 1928”
[30 pairs of oxen and 6-month’s journey to reach just the town of Carrara, with
some slopes as steep as 60%! It arrives
at the sea port almost one year later], as well as the story of the poet
visiting during the explosion on July 14, 1907.
CAVA NARDINI: Nardini Germano di Nardini Marco
Via Mammianese, 371 Vellano Pescia (PT) Tel
3395438705 P.iva 0130045 047 3
Enjoy
the Olympics!
Peace,
Kelly
P.S. Happy Birthday, Aunt Carole!
Germano Nardini using quite the power hammer. |
Germano and Kelly afterhours (note my shoes!) |
Germano Nardini in the driver's seat, breaking boulders |