Friday, October 26, 2012
Tuesday, October 23, 2012
The last step you see here is my trying to create the forms of each part of the figure. I want to portray the volume of the rib cage and the hips, the head, and the arm and . . . you get the idea. I want them to have the proper amount of turning so that you can distinguish between a cylinder, an egg, and a more boxy mass. You may notice that even though I had designed the shadow shapes in my drawing, I painted over the spine in an effort to make the rib cage one united form. The big picture is always more important than details and everything is related.
Sunday, October 21, 2012
|This content is not yet available over encrypted connections.|