On the 18th I started a new charcoal drawing of an Italian model named Valentina. She is a lovely girl, and I think a bit exotic looking. She is in a standing pose, with her left hand on her hip, while her right extends out to her front and side and rests on a short easel. I chose the back view of her because I love the dramatic lighting contrast. That said, I have also started a pencil sketch from the other side of the room, so that I can have more fun.
In this first collexion of images, you can see my quick gesture sketch. Here I work out my disegno in a small scale and decide how to create my image using “C” and “S” curves. Although I hope that I am getting better at sketching proportion without measuring, my goal at this stage is to make my choices before I start the actual drawing.
The middle image was taken of my 60-centimeter outline sketch of the figure. She has been given romance and architecture (curves for interest; straight lines for strength). In the image on your right, you can see that I have also outlined the shapes of the shadows.
In the second row of images, I have now colored in the shadow shapes, so that I may refine my shapes and design. I have also gone one step further by delineating the separate shape of the darkest darks in the model’s hair. In the close-up image (right), you may see what I am doing a little easier. Also, some of my mistakes are apparent, such as the upper right arm being too thin.
But, onward through the fog . . .
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