Entwined Art

Cari Amici (Dear Friends),

I am preparing a lot of new drawings, a few paintings, and I hope still to finish another sculpture for my solo exhibit here in Florence, Italy, at Sei Divino. The exhibit is titled “Kelly Borsheim: Luce dall’oscurità” (Light from Darkness) and starts on the 16th of April. Here is a preview of one of the new drawings, “Entwined.” And yes, this is one of the ones I was hoping to finish before the model Ernesto left (see previous blog entry).

Since I started seriously drawing, I have enjoyed drawing hands. I also find myself intrigued by mystery and high contrast. The idea of ‘being entwined’ (versus entangled) with something strikes me as romantic without being suffocating. And this pose with the hands over the chest feels comfortable. (The ‘two thumbs up’ reminds me of the sculpture I carved in stone of manta rays, “Encounter”.)


“Entwined” was drawn on Roma-brand paper using only charcoal and pastels. This original drawing is 20.5 x 64 cm (approximately 8” x 25”) and he is available from the Borsheim Arts Studio. He will have his public debut on 16 April in Florence.

Thank you for your continued interest.
Kelly

Original Oil Painting Mario The Naked Gondolier

Cari Amici,
Back in November, I did a sketch in a white pencil on a dark charcoal paper of an Italian model named Mario. Another “light emerging from darkness” image of a fairly classical style standing pose of a nude male figure.

I liked the shapes so much that I decided to make this study of Mario into one of my Naked Gondoliers painting series. (Mario is actually the first one completed in this painting series.) And so, I have painted this lovely male figure in oil on canvas in my favorite sepia tones: Mario, The Naked Gondolier. I wanted just a hint of Venice in the image, so there is a dark curve of a bridge behind Mario’s head and a gondola under his feet. There is a slight hint of light rippling in dark water to the right. I love the mysterious qualities of this image and may keep exploring these ideas.

Mario measures 45 cm x 30 cm (approximately 17.5 x 12 inches). This oilo sul tela (oil on canvas) will sell for $600, plus shipping and insurance from Italia $25.
I take PayPal here or I can send you an invoice via e-mail.

------

And for those who are drawn to the original pencil drawing of the standing male figure, “Study for Mario The Naked Gondolier” is also available. The figure is about 42 centimeters (just over 16 inches) tall. I drew in the light shapes only with a white pencil on a dark charcoal grey Canson paper.

The paper for framing purposes is around 47 x 30 cm, not counting what would be under the mat and frame. The drawing is signed and dated 7 November 2007.

The original drawing of Mario sells for $200, plus $20 shipping and handling.

And again, thank for your making the dream possible.

Figure Drawing - Valentina Italian Model

On the 18th I started a new charcoal drawing of an Italian model named Valentina. She is a lovely girl, and I think a bit exotic looking. She is in a standing pose, with her left hand on her hip, while her right extends out to her front and side and rests on a short easel. I chose the back view of her because I love the dramatic lighting contrast. That said, I have also started a pencil sketch from the other side of the room, so that I can have more fun.

In this first collexion of images, you can see my quick gesture sketch. Here I work out my disegno in a small scale and decide how to create my image using “C” and “S” curves. Although I hope that I am getting better at sketching proportion without measuring, my goal at this stage is to make my choices before I start the actual drawing.

The middle image was taken of my 60-centimeter outline sketch of the figure. She has been given romance and architecture (curves for interest; straight lines for strength). In the image on your right, you can see that I have also outlined the shapes of the shadows.

In the second row of images, I have now colored in the shadow shapes, so that I may refine my shapes and design. I have also gone one step further by delineating the separate shape of the darkest darks in the model’s hair. In the close-up image (right), you may see what I am doing a little easier. Also, some of my mistakes are apparent, such as the upper right arm being too thin.

But, onward through the fog . . .