Friday, March 26, 2010

Wine, Women, and Wood


Cari Amici (Dear Friends),

In my last blog post, I invited you to Florence, Texas, to watch stone carvers at work and see an arts festival at The Vineyard. That happens both Saturday and Sunday.

Now, Saturday NIGHT, is a different kind of event. I will be leaving Florence around 4 p.m. and headed to south Austin. Won’t you join me?

27 March Saturday evening: 6 - 10 p.m.
"Wine, Women, and Wood"
The Curiouseum inside the Village Green South
6800 West Gate Boulevard
Austin, Texas

featuring Kelly's sculpture and 2-d figurative art paired with Fine French Woodworking by Brittany's Thierry Amisse! Add some wine, pate and a demonstration of Petanque (France's version of boccie), and we've (Susan and Ruth) got a VERY curvaceous evening planned! Live music too! For more info, call Susan Buhrman: 512.925.4085 or Ruth Glendinning 512.744.3411


Both events are FREE. Invite your friends too!
Thank you so much.

Wednesday, March 24, 2010

Stone Carving Competition Florence Texas


Cari Amici (Dear Friends),

During my Open Studio back in February, two stone carvers, Brooke and Matt, visited me from the Florence, Texas area. I was invited to join them in a relatively new event, a very short carving competition and art festival at a vineyard.

While I am not very competitive with other people (preferring to push myself instead), I really am looking forward to meeting other stone carvers in this area not far from my Texas home.

I understand that art will be for sale, as well as there being a silent auction of a variety of items to help out the local library in Florence. So, come on out to The Vineyard, try some wine, and watch us carvers work!

27 & 28 March
Saturday hours: 11 a.m. to 6 p.m. (but I leave around 4 p.m.)
Sunday hours: 11 a.m. - 4 p.m. (with the Silent Auction closing at 4 p.m.)
“2010 Stone Carving Competition and Fine Arts Festival”
The Vineyard
8711 FM 487
Florence, Texas 76527
Contact: Kambrah Garland at 512-924-7447


Pictured here is a new marble carving that I have started and will probably be working on during the festival. I will also be exhibiting a few selected works of 3-dimensional art.
Come on out!

Monday, March 22, 2010

Portrait of a Young Artist Marley

Cari Amici (Dear Friends),

Back in February, in the heart of a colder-than-usual winter in central Texas, I had to admit that I would not be able to finish my marble sculpture “The Gymnast.” I am heading back to Italy soon and have so many other projects that I needed to wrap up before I leave.

So, here are a few images of how I have left her . . . for the time being. I also include a self portrait that I took on the day it snowed here: 23 Feb. For me, it was “a wasabi moment,” a phrase I coined after I enjoyed my first sushi with friends a few summers ago. I mean it to refer to any short-lived pleasure that tickles more than one sense.







One of the great rewards of an artist – or anyone really – is to learn that you have inspired a child. Recently on Facebook, I have reconnected with a friend from my college days. He told me that he and his family were enjoying catching up with my activities by reading this blog. In particular, his daughter Marley entertained him by emulating the pike pose of my marble carving above. I am sure that she could assume this athletic position easier than I can!

Later, my friend shared this self-portrait of his budding artist daughter, which I print with permission here. It is quite marvelous, do you not agree?



Friday, March 19, 2010

Ponte Vecchio Florence Italy Art

Cari Amici (Dear Friends),

“Il Ponte Vecchio-Firenze, Italia” is the last of this series of Florence, Italy-inspired charcoal and pastel artworks that I will be able to complete before returning to la bella Italia soon.

Florence has enough eye candy that she has been teaching me to just sit and watch in a way that I rarely have allowed myself to do since I was a child. I like to walk around Florence at many different times of day. One day I found myself sitting on the Ponte Vecchio (old bridge) behind the bust of Cellini. I had time that day to stay a while and watch the lives of various figures intermingling on this famous bridge in the Renaissance City. This is a beautiful view of a silhouetted Ponte Vecchio framing the next bridge upstream (the Ponte alle Grazie) with some Tuscan hills in the background. The reflections in the River Arno are quite peaceful and beautiful.


I tend to be a fan of backlighting, even if I am often blinded or even crying a bit as I draw. But seriously, what an effect the light has! And I try to tackle some new challenge with each artwork that I create. For example, this is the first drawing in which I have depicted a crowd of people. I like all of the abstract patterns. This drawing is completely in charcoal, except for black pastels to give me a darker tone than I can get with only charcoal. And, the old woman standing alone, wanting the attention of the others, has been colored with pastels. This may have been a subconscious flashback to my days in the image preservation field, in which I oil painted on photographs printed onto a fiber paper.

Even if you have never been to Florence or Italy, I hope you will enjoy the bright sunshine entering the shapes on the Ponte Vecchio.

As with many of my 2-dimensional artworks, giclée (smaller than the original drawing or painting) and notecards are available.

“Il Ponte Vecchio-Firenze, Italia”
17” x 23”
Pastel and Charcoal on Roma-brand paper
Copyright 2010 Kelly Borsheim
$1800 + $25 shipping and insurance








Thursday, March 18, 2010

Pitti Palace Florence Italy


Cari Amici (Dear Friends),

The countdown continues – soon I will be back in my beloved Florence, Italy (or Firenze, Italia as she is properly called).
In the meantime, please enjoy the arches and architecture of the famous home of the Medici family: The Pitti Palace. Once again the light was what drew me into the scene and I hope that she captures your attentions as well.

Palazzo Pitti – Firenze, Italia
25” x 18”
Pastel and Charcoal on Roma-brand paper
Copyright 2010 Kelly Borsheim
$1400 + $25 shipping and insurance







Happy 40th Birthday, Michael!



Monday, March 15, 2010

Camille Claudel Book Review


Cari Amici (Dear Friends),

A little while ago, I finished a book about a passionate sculptor. The book “Camille Claudel: A Novel” was published in 2006 and written by Alma H. Bond, Ph.D. The young French sculptor was an apprentice and for a while, a lover, of the great master sculptor August Rodin. Many people I have spoken with think that she was at least his equal, if not better than her male contemporary. Some even speculate as to how much of her hand is in Rodin’s work – a logical assumption given the typical apprentice system of professional artists throughout history.

Since I really did not know much about Camille’s life and path, I enjoyed reading about her days as a child. I could relate to them quite well because I remember playing in the muddy creek beds with my own brothers in Germany and in the States, relishing the feel of the wet clay and often fashioning it into bowls and other forms.

Anyone who has felt a heady love can certainly enjoy the very girlishly romantic descriptions of Camille’s growing attraction and later full-blown love affair with the much older Monsieur Rodin. I still do not really understand why Rodin ultimately left Camille, unless it was simply that he refused her insistence upon a relationship on her terms (marriage). However, some hearts are more fickle than others are and as real life and much literature can attest, sometimes circumstances, ambitions, and other people’s decisions create variables that become insurmountable obstacles to one’s potential.

This novel is written in first person and I often felt that I was inside of Camille’s mind, feeling her thoughts as my own. Perhaps this was part of the reason I felt so uncomfortable, sometimes annoyed, and often depressed as I read the latter parts of the book. After the cooling of the relationship of these two passionate artists, Rodin continued his adventurous amours and career.

But Camille began to withdraw from the world and wavered between periods of grief, insecurity, pride, anger, isolation, and paranoia, and yes, even some happy moments. All of these emotions seemed quite reasonable to me, given the frustrations and losses she endured both professionally and personally. But knowing that she spent the last 30 years or so of her life in an asylum and worse, NOT creating (in fact, she even destroyed some of her works) made me feel alternately angry and sad. Too many times I wanted to grab her by the shoulders and shake her out of her self-pity and despair and get to work.

Ultimately this novel left me with more questions than answers, but that is by no means a bad thing. And I felt that the writing was consistent with the thought patterns of a sensitive soul trying to find some understanding for why people behaved as they did. Without explanation or resolution, it is difficult to move on, as so many others expect one to do. I indulge my own pain for longer than most others can appreciate, but I like to think that another part of me takes over and pushes me to keep working towards my dreams despite grieving or the insensitivity of others.

But my main question remains: What quality is it that allows one person to function and even excel despite bad relationships with parents, lovers, employers, or others while others collapse into themselves? What personality trait enables one person to turn her grief and rage into a motivation to succeed beyond all expectations, while another has only the energy for self-sabotage? How selfish must the soul of another be to turn love into hatred? Is it inevitable that super-sensitive people will suffer from this trait?

Would the world have enjoyed more of Camille Claudel’s incredible sculptures if events and personalities in her life had been a little different? If yes, how different would those relationships in her life have had to be? Her intense and unresolved emotions kept her from creating. If she had been able to keep sculpting, could she have healed from her personal sorrows?

Can we ever know? Read the book to see if you can determine possible pivotal points in this dramatically sad, yet influential life.
Buy the book via this link and help support this blog: Camille Claudel: A Novel
Thank you!

Happy Birthday, Jake


(may you never feel the pain or injustices endured by Camille Claudel)


Thursday, March 11, 2010

Via Della Spada – Firenze Italia


Cari Amici (Dear Friends),

I have been creating more works with the pastel and charcoal combination that I began in Italy and am loving the effect! Here is the newest completed work of another couple in the rain: a night scene in the streets of Florence, Italy:

“Via Della Spada – Firenze, Italia”
25” x 18”
pastel & charcoal
copyright 2010 Kelly Borsheim

SOLD to a private collector-11 March 2010!



And check out my first pastel workshop at a resort in Kona, Hawai’i. It will happen this September, so mark your calendars, this is gonna be so much fun!
http://borsheimarts.com/art-workshops/hawaii-pastels.htm