Showing posts with label inspiration. Show all posts
Showing posts with label inspiration. Show all posts

Sunday, June 1, 2014

Sarina Arts Extravaganza Australia

Dear Art Loving Friend,

I have spent the majority of this past week teaching workshops to children in the schools, as well as to adults in our makeshift atelier up on the stage in the community building that houses the Sarina Arts Extravaganza here in Australia.  In addition to that, I have been working in a local high school to help the kids learn how to create a mural.  I have been consulting with the class to show them how to take their ideas, expand them to fit the project and create a composition.  Because of the time constraints, I was only allowed to talk about several ways they can take their – to date – unfinished designs and enlarge them to create the cartoons needed to transfer their ideas to a much larger space.  [Cartoon as defined in Michelangelo’s time, not today’s definition of the word.]

One of the area schools was thrilled to let us guide the various age groups of their classes around the art exhibit while I spoke about the idea of art being more than “just a pretty picture.”  Art is the safe place in which we can express and explore our humanity … all aspects of it, as well as appreciating the Natural (or unnatural) world we inhabit. I also wanted to tell them that artists train as long as or longer than other professions, such as doctors and engineers.   THAT raised a lot of eyebrows as the possibilities began to open in their minds!  Several asked me if I make a living at art and I told them, “Yes,” and that my life as an artist is what brought me to their lovely country!

Thanks to a suggestion by local artist and art teacher Sally Cunnington, my hostess (and Sally’s artist mother) Janice Ailwood and I asked the children and teens to choose an artwork in the exhibition that made them feel some emotion and use it as inspiration for their own creations.  We were all thrilled at how well they took to this.  I really love the freedom and joy in young children’s art!

I include a few images (not showing any kid faces) and have a few more of Facebook.  I loved this little girl with pigtails’ posture as she drew a mermaid.  Not unlike my own, perhaps, although she is way more flexible than I, even before my spine injury.  [The image of me was taken by Ayfer Mills in March 2014 in Florence, Italy.]






The kids copied the grownups art, other youths art, and a few went off on their own way and drew what they wanted with the inspirations already in their heads.  We must have seen hundreds of kids over a three day span and it was wonderful!  In general, the response here has been overwhelmingly positive and I wonder what sort of long-term impact our work here may achieve. 



I asked a few of the kids in our last class if they could hold their art up to the artwork that inspired them, but not show their faces to protect their privacy.  Isn’t it lovely how different their designs are from the original? 





This last image is my last sunset for this visit to Sarina in Queensland.  Next stop . . . Tasmania!

Thank you for reading and sharing the journey.

Sunday, October 30, 2011

New Year’s Eve Art Texas

Cari Amici (Dear Friends),

Almost two years ago, on New Year’s Eve, I was outside here in my Texas studio carving on the marble “Gymnast.” It was starting to get dark, and then I realized it was getting darker than it should be for that approaching dusky hour. I felt the sudden change around me. A frisky wind whipped up. The air smelled cold and crisp. I remember laying down my tools and running over to the field, the only place in which the trees give way enough for me to see the sunset better. Even then the orange glow of the setting sun was broken up with the ragged silhouettes of treetops. It felt magnificent!

I cannot really explain my excitement. It was energy that I simply absorbed from the surrounding fragrance, wind, temperature, color, and light. I remember shouting, “Come look at this sky – it is fantastic!” No one came. I learned as a child that it is amazing to see something naturally wonderful, but so much better to share the experience with someone else. And thus, I decided that I would try to capture in a painting the excitement in the dark clouds that seemed to funnel the light of the falling sun.

I started the painting that night, sketching it out onto the largest canvas I had on hand. But life and other projects took me away after that magical evening. The canvas of clouds remained untouched for over a year. Each time I looked at it, I felt that I had failed to capture the smell of the fresh air that night and I began to doubt that the painting would mean anything if it were just another sunset. Over time I realized that I wanted to add something to it, but could not think of anything that was not overly contrived.

And then it happened . . . divorce has some perks. I have been living a life in transition, or at least limbo, for a long time now, but 2011 has been the year of action and stepping away. This spring the idea for my painting emerged as quite natural. So many of my artworks have been personal and oddly, perhaps, those seem to be the ones most admired among those who share their thoughts with me.

I am losing my home and my studio. However, my former husband John, who has been a dear friend to me for about half of my life, has let me stay in his home this year so that I may have the time to finish my stone carvings, pack up, and figure out my new direction. I started this spring by sorting through our photographs, including our wedding album. And it made sense for me to incorporate my favorite wedding photo into my art.

Finding the universal through the personal has been my approach for much of my art career. And it became my hope that my painting would not necessarily be seen in a negative light or even give-off a negative feeling, in the same way that my bronze “Together and Alone” has not.

As I created this newer version of my painting, I wondered about her title. Ultimately, I decided that the original title “New Year’s Eve” was perfect. The phrase references an ending in the terms of a beginning. So, with no further delay, I introduce to you my newest oil painting (30” x 40”) called “New Year’s Eve.”


You may see this work and many others at my solo exhibit going on now:

“Places and Poses: the Art of Kelly Borsheim”

Quattro Gallery
12971 Pond Springs Road (Inside Audi North Austin)
Austin, Texas 78729
Gallery Hours: Tues-Friday, noon to 7 p.m.; Saturday, 10 a.m. to 7 p.m.;
Closed Sundays and Mondays.
[Take the McNeil exit from Hwy 183 in NW Austin. Pond Springs Road is NE of the intersection of McNeil and 183. You will see the Saab dealership right before Audi.]

For more information, Tel.: 512.219.3150 (Audi); David Sackmary (gallery director) = 512.924.7498

Dates:
Exhibit: NOW through 14 November 2011
Artist’s Reception: Saturday, 5 Nov, 7 to 10 p.m.

Book Signing: "My Life as a Street Painter in Florence, Italy"
Full-color book with 330+ images
By Kelly Borsheim
Saturday, 12 Nov, 2 to 5 p.m.

I hope that you can make this exhibit because after it closes, I will be leaving Texas. No doubt I will be back at some point, but I cannot promise when. I will be heading off first to North Carolina to visit family, then Florida for the Art Basel Miami and more family. Then, it is back to Italy. It is a new day.


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