Stone Carving Tortoise Shell

Cari Amici (Dear Friends),

Hello again. I have been carving the basic shape for the base of my stone carving “Gymnast” a little bit each day and at some point, it was time to get into a bit of detail. So, out with the crayons and get to drawing.

Before that, I would like to explain that I was inspired to create a kind of turtle to hold up the female figure by a visit to the Pitti Palace in Florence, Italy several years ago. That mountainous country has known many different cultures over the centuries and one can still see signs of some of them. The Pitti features a large Egyptian obelisk in the main garden. Each corner is supported by a bronze turtle. What a load those four turtles carry!

Of course, I designed my sculpture a little differently. Instead of four turtles, I will create a four-headed tortoise of sorts. So, in these first two images, I drew the shapes in the shell. Only the next morning, I realized my mistake and redrew the shapes at the bottom of the shell, making them line up in a way more consistent with the real animal. I think the lines were better then -- not so obviously mathematical in the way they lead the eye.





I was afraid that I would find this task tedious, having to repeat so many similar shapes. However, once I got into it, I found myself almost laughing out loud because I was enjoying the process so much. The exposed marble crystals were a delight. I rarely get to carve a lot of texture in my compositions and I may have to rethink that for future stone carving designs.

Oh, and it did occur to me that I should have used a more turtle-shell colored crayon! Hopefully, all of the blue wax will be chiseled off, but one never knows.

Stay cool and thank you for reading!
Kelly Borsheim

Crack in Stone

Cari Amici (Dear Friends),

I have been trying to get back to my “drug of choice” – stone. So in-between preparing for exhibits, making art for my galleries, and just plain old “takin’ care of business,” I have been going outside to work on my marble carving of the “Gymnast.” I last wrote about her on my January 19, 2010 blog entry. I had just cut a hole into the space under the chin and in front of the vertical legs.

When I have left a work for a long period of time, I tend to move back into it slowly, reacquainting myself with the form and at the same time, trying to see the work with a fresh eye. I want to be fully focused before I continue. My first thought is to notice my emotional response to the artwork-in-progress. While it is difficult to carve emotion, per se, any negative emotions are often my first clue that something is wrong with the shape. I just have to figure out what sometimes. [Other times, it is quite apparent.]

I first noticed that there was a crack in the stone near the outer toes on the figure’s right foot (pointed out with red arrows in the first image). So, the first step back into carving was obvious and I removed entirely the stone outside of the crack. Some carvers like to use SuperGlue or some such adhesive to keep the crack secure as they carve around it. But thus far, my feeling is to get rid of a defect, or dead stone, and redesign. In this case, I still have plenty of marble for the feet.


This next pair of images shows you the markings I made on my stone of what to remove or lines to follow as I shape the feet. I tend to stand back about six feet from various vantage points to make sure that the line I will be creating flows beautifully.


In this final image, you can see what the end of my workday looks like. I do tend to watch the setting sun through the trees as I wrap up the day’s work. You can also see some of the mulch I have been spreading around my work site. The electric company came in a week or two ago and cut down and trimmed all of the trees within about 20 or 30 feet of the electric lines. I asked them if I could keep the mulch they made from the smaller branches and brush. I have been shoveling a little bit each day that I am out. Lovely stuff! And the cedar (juniper really) smells fantastic, although most of my privacy is gone.

Thank you for your interest in art and process.

Happy Birthday to my sweet brother Paul!