Showing posts with label art studio. Show all posts
Showing posts with label art studio. Show all posts

Friday, April 29, 2016

New Studio Anniversary Tuscany

Dear Art Lover,

      Today is an anniversary of sorts for me.  It was one year ago today that a friend of mine introduced me to the man who would become my landlord.  He then showed my friends and me the house that would become my home and studio in the hills of Tuscany.

Tuscany Italy unfinished art studio space
2015 April 29 - future art studio - Tuscany, Italy

    You may see here that my main studio was not a finished space.  There were many problems with the house when I saw her one year ago.  It was mostly empty and the upstairs (which had never been used) had only new bare walls from an extension that my landlord did after he inherited half of his grandfather’s home.  [The other half was given to his aunt and uncle, who . . . naturally . . . live next door to me now.]  The woman who lived here before me made a complete disaster of the home, leaving animals locked inside while she moved out to a new love, I understand.  The kitchen had been completely gutted when I saw the home.  Parts of the house reeked of cat urine.  I was not so sure that would be salvageable.

     He had not been ready to show the house, but because I was looking and we had mutual friends, I saw this house along with many others around Italy.  But I had not made any decisions.  He told me that by my return in October, the house would be ready for me to see it again.  I then went to the USA for four months last summer. I looked around the States, as well, in every place that I visited, desperate to find a place to call home and stop the loss of time from constantly having to move.

    While I was still in the US last September, I was told that I needed to get my stuff out of storage in Italy immediately. I was desperate to find a home and not have to move my things twice. I wanted to see if this place had improved.  Over the summer, the long searching had tired me and I decided that I would take one of the two homes that I saw in this village.  I had decided that this one would be the best for me as far as access [for stone carving] and my friends being neighbors.  However, my landlord had had a terrible summer caretaking for his wife until she passed, just about two weeks before I returned to Italy.  My friend was afraid to even ask him about showing the house.  And, naturally, not much in the house had changed in those four months.

     In the end, this dear man not only let me sign the contract, but he gave me a place to store my things across the mountain while he continued working on the house.  He found me a driver with a van that I hired to move everything.  For two months, I stayed living out of a suitcase in temporary quarters in Firenze.  I was waiting for a student who later cancelled the trip to Tuscany due to a serious injury. On December 3rd, I moved into the house next door until my house was livable. This was wonderful.  I was amongst the trees and each day, I got to see what the workers were doing and even helped my landlord with various tasks and decisions.  It was a fun way to get to know someone and I began to be happy again.

home and studio of visual artist in Tuscany, Italy
2015 October 12 - for the love of Nature - view of studio
     I could see that he was getting tired and I felt that the approaching holidays were depressing him.  He just said that it was best that he keep busy.  So, we did.  I moved in after my Christmas guest returned to her home in Firenze.  So, here is an image of my main studio room on 29 December 2015.  My neighbors and my landlord gradually helped me to move my things from across the hill, even before I moved to the real house.  Each day, my future brightened and my heart soared. 

Tuscany Italy moving into art studio space
2015 December 29 - moving into new studio - Tuscany
      Just before Valentine’s Day, I had my first official and overnight house guest, a dear friend from Serbia.  It was cold and rainy most of the visit, but hey, I have a fireplace now, and so we snuggled up in front of a roaring fire, playing music videos on my laptop, dancing, singing along, drinking wine and together making quite a good meal. And the chocolate… with rum inside!

two women friends relax before a fireplace in Tuscany, Italia
2016 February 12 - Enjoying a fire with a friend - new home!
     However, I still had no heating upstairs and told my landlord that I thought it might be more economical to buy a stove in the springtime. I was fine living on the bottom floor this first winter.  Italy often teaches foreigners a new sort of patience, but also, what sort of person would ask a grieving and hard-working man to add to the list of all he had done for me to also climb up high to cut a hole in a ceiling or a wall and all that?  In the middle of winter?  It could wait.  It has waited. 

     However, the temperatures are warming.  I have not used my upstairs studio room much yet since I am working on a mural and a sculpture commission now, had been to Firenze to teach that healed-up student for a month, and am still recuperating from two [same] knee injuries already this year (stupidity and a lack of grace are not good bedfellows).  And my sweet landlord and I still have a few things we want to do for the studio [going vertical!].  I hope my long-winded story did not bore you, but seriously, every single day I feel grateful. 

     And a nice “Pay It Forward” thing is that I get to spend my house anniversary today helping my foreign neighbors apply for their residency. What a process life is!

Tuscany Italy art studio space, Toscana, Italia
2015 April 28 - Art Studio with pond diagram on floor - sculpture commission
Peace,
Kelly



Tuscany Italy artist art studio space, Italia, Toscana On Easel
2015 April 28 - WIPs [works-in-progress] on the easels in new studio

Thursday, November 12, 2015

Leighton House Museum London

Dear Art Lover,
    Thanks to painter Vicki Sullivan in Australia, I was told about the Lord Leighton House/Studio and Museum in London.  Frederick (Lord) Leighton lived from 1830 to 1896.  He is probably most famous for his painting Flaming June, which consists of a sleeping curled-up young woman in a flowing semi-transparent orange gown.  I would include the image here, but I already have one image for each letter of the alphabet in this post!  Perhaps you know the work already: https://en.wikipedia.org/wiki/Flaming_June



     As logistics would have it, I ended up exiting the tube (subway/metro) at Holland Park and thought that I would walk south to the museum.  I do not know much about London and it was a lovely day for taking a walk anyway.  Holland Park is a charming little getaway when one needs a Nature fix.  And they have a pretty good public sculpture collection started that enhanced my stroll.
    

     I must say that I found it difficult to locate street signs in London.  However, sometimes I missed “the obvious” because the signs were large and low, so it very well could just have been my training to look up.  However, on this pair of signs shown, I must ask you, which side is the actual Abbotsbury Road?
    

     I have also decided that the Lord Leighton House just might be one of London’s best kept secrets.  It was a little difficult to find (my map was too simplified and I do not own a smart phone with GPS or online access).  More than half of the locals I asked for directions as I neared had no idea of what I was asking about.  The two who did told me that it was worth the search.

Leighton House Museum Art Studio LondonLeighton House Museum Art Studio London     Allora, as you enter the ground floor (after paying a seven British Pound fee, there are five rooms, one being a square sort of corridor that houses the wide staircase and shows off a stuffed male peacock.  Beyond that is a “red room” that appeared to be a possible dining room [no photo here].  A large and fairly empty room with an out-jutting area for sitting.  I actually do not remember seeing a kitchen.



     The main attraction on that floor is the chapel.  Or Turkish bath?  Anyway, you can tell where the artist’s taste lies.  It is pretty impressive and I wondered what it was like to live with such a space…fancier than any place that I have ever lived.

Leighton House Museum Art Studio London
Leighton House Museum Art Studio London
















Leighton House Museum Art Studio London

Leighton House Museum Art Studio London

      To the left of that gorgeous room is a more English-looking study.  I love sketches and was thrilled that this image turned out.  [No photos are permitted at all in the home.]  You may see the figure for the Flaming June on the back left.  I love sketches.. in fact, I often like the preparatory sketches better than the final painting.  I have yet to pin down exactly why, but in general, the sketches seem more touchable.

Leighton House Museum Art Studio London

     Once up the stairs, this exotic sitting space overlooking the Turkish room is the first one you see. And having lived in Florence, Italy, so long, it is impossible not to know who is the monk Savonarola.  However, I had no idea that he has a chair named after him!

Leighton House Museum Art Studio London

Savonarola Chair

    To the left is another sitting room with a fireplace (and peacock feathers sit in front of it).  I especially enjoy this circular composition by Frederic Leighton, Boy Saving a Baby from the Clutches of an Eagle, c. 1850-1852.  I found his slightly odd play of shadows over the figures interesting and I enjoy how the boy and the eagle fill the space with sort of parallel diagonals.

Leighton House Museum Art Studio London

Leighton House Museum Art Studio London painting boy eagle

     The bedroom is sparsely furnished, but I am not sure if it is because this is not the original furniture and they kept things minimal or if the artist truly lived this simply.  The Web site says that Lord Leighton lived alone in that huge house, so that may explain the single bed as well.  No need for clutter in a space that large for only one man.

Leighton House Museum Art Studio London

     Looking back into the stairway, one sees some truly lovely paintings.  I was especially enchanted with the one of the old bearded man (father, doctor?) hovering over a reclining boy.

Leighton House Museum Art Studio London

     And finally we move into the studio.. how grande!  And I love the warm colors.  Most of Lord Leighton’s art is NOT in this house anymore.  I guess that is one of the perks of being famous.  However, I still enjoyed my visit. 

Leighton House Museum Art Studio London

Leighton House Museum Art Studio London Studio

Leighton House Museum Art Studio London

Leighton House Museum Art Studio London

Leighton House Museum Art Studio London sky lights

Leighton House Museum Art Studio London drawing     I was intrigued by the ceiling window.  It looks as if there are various configurations possible up there for having or not having a certain light enter the room.  I wanted to know more . . .  Note also at the end I show you two snapshots of the large lawn in the back of the house.  I do not know much about London, but I suspect that is some costly real estate!  When I left, I walked along the Kensington area and took a bus down to Trafalgar Square… but likely I will write about my visit to the National Gallery in my next art newsletter (go to my site http://BorsheimArts.com to sign up for THAT subscription).

To read more about the Leighton House and Studio, as well as connected museums, check out:
https://www.rbkc.gov.uk/subsites/museums/leightonhousemuseum/aboutthehouse.aspx

 Leighton House Museum Art Studio London drawing

     I am not above taking a donation.  Even five bucks is a help, if you enjoy what you read about and see in my images here on this blog.  Thank you.  [You may make a donation via the PayPal links on the side bar on the blog site:  http://artbyborsheim.blogspot.com ]

Peace,

Kelly

~ Kelly Borsheim, sculptor, painter, writer, teacher


Leighton House Museum Art Studio London

Leighton House Museum Art Studio London garden

Wednesday, July 11, 2012

Art Studio Florence Italy


Cari Amici (Dear Friends),

Anyone who follows my postings on Facebook might have the impression that I only play while I am in Italy. That is only partly true. Besides, how many images of an artist working can someone stand to look at? While part of my day is spent trying to learn more Italian, I am making art during other parts of the day.

Still do not believe me? Well, here is a snapshot of my studio… which doubles as the little room that I live in here in central Florence. I have only got three easels set up at the moment, with two of them holding works that are almost finished. I just want them around because often when I wake up and see them with a fresh eye, I find something to tweak. With me, there is usually more thinking than doing.

I do not claim to be a tidy person . . . never have been. It is just not how I choose to spend my time and I think the time to clean comes when my preferred activities become hindered by the things around me. I do not live the exotic life that some people seem to think that I do. However, once I step out of my little room, I am in Florence, Italy. And that is currently alright with me!

Other news:

Thursday, October 13, 2011

Art Open Studio

Cari Amici (Dear Friends),

Well, I guess that I have now been officially sculpting so long that I have little memory of sculpting the child’s portrait shown here. See what a delight it is to be moving and sorting through all kinds of hidden “treasures”? This little boy was probably done around ten years ago, shortly after I took a portrait class with sculptor Eugene Daub at a workshop in Colorado. This piece is water-based clay and was never finished. However, plastic garbage bags do not really keep in the water; they simply delay the drying out. You can see how the unfired clay cracked as it dried: Kind of a cool effect.


So, come on out and see what other surprises there are. I am also having a moving sale and selling or giving away art supplies in several fields (photography, fabric arts, sculpture, etc.)

Kelly Borsheim’s Open Studio and Moving Sale
October 14 - 16, 2011
Friday through Sunday, 10 a.m. to 5 p.m. each day

Borsheim Arts Studio
223 Greystone Lane, Unit A
Cedar Creek, Texas 78612 USA
Tel. 512.303.3929

This second image was taken during my recent book signing at the Community Renaissance Market (CRM) in Austin, Texas. Susan Wenck is showing of her new copy of my book “My Life as a Street Painter in Florence, Italy.” She is standing in her shop called “Renaissance Apothecary” and showing off (on her hand) the big Pandorus Sphinx Moth” that was discovered just outside of CRM.


Incidentally, I am starting to get feedback from people who have received their shipped copies of my book. The wonderful thing is that a few have been so pleased that they have placed GIFT orders now! One new book owner, sculptor Gene Piersa in Minnesota wrote:
Thanks Kelly. The Book arrived in perfect shape, I felt excitement on every page I turned. Bottom Line, I Love the book content and the quality overall.
Hugs and Best Wishes,
Gene P.

P.S. Happy birthday to my sister Danielle who flies into Texas tonight to see her new nephew!

Friday, November 12, 2010

EAST Art Event Austin Texas



Cari Amici (Dear Friends),

This weekend marks the opening of E.A.S.T. (East Austin Studio Tours). This is a big deal in Austin when TONS of artists open their studios to the public.

Wander through, as you like. The link above (click on E.A.S.T) will show you their map. My work will be exhibited as one of the guest artists of my friend Beth Schoen. Beth teaches portrait sculpture and gets rave reviews from her students. She also did a marvelous portrait of one of Austin’s most famous musicians Willie Nelson.

Beth Schoen's Open Studio: guest artist Kelly Borsheim + others
Site # 60 on the E.A.S.T. map
4601 Smith Road
Austin, Texas
Tel. 512.740.7817
Sat and Sundays: 10 a.m. to 5 p.m.

I would love to see you!

Honoring Veterans today, including my father and many other members of my family.


Wednesday, October 21, 2009

Trip Highlights

Cari Amici (Dear Friends),

Ten days on the road. It was a whirlwind trip, fitting visits into short time frames with family and old friends that I had not seen in years. I also met many new friends. Here are some of the highlights since I last wrote:

1) This is an image of the oil painting I created for Amber and Alex Babcock’s wedding portrait. My sister Amber’s favorite artist is Alphonse Mucha, so I painted an 18” x 24” composition in a style similar to Mucha’s. They exhibited the portrait during their wedding reception this month. I hope that you enjoy it as much as they did.



2) In the midst of the wedding festivities, I was elated to receive an e-mail that my pastel painting ”Il Mimo - Firenze, Italia” became a finalist an the online competition for paintings. See all of the FineArtViews Painting Competition Winners (September 2009)

3) After Florida, I went to North Carolina and was totally charmed by my new friends in Raleigh. The Carolina Mixed Media Art Guild and long-time Internet friend and artist Jeanne Rhea invited me to speak about my life as a madonnari (Italian street painter) and do they all know how to make an artist feel welcome! I toured the gallery at Artspace, enjoying a variety of styles and media, and even recognizing one artist, Linda Ruth Dickinson, whose paintings I had first seen from my visit to a gallery in Houston, Texas, a couple of years ago. Here is an image taken with the audience that remained after my talk for a bit of mingling and munching. After my presentation, Penny (the tall woman in the center) gave me a lovely gift bag full of exotic chocolates. How yummy is that?




4) Jeanne and her husband Vince offered their home for the night, which was great. I want to share images of her studio with you. Seriously, this is THE most organized studio I have ever seen. No way that this was a “clean up for guests” kind of organized. I am still impressed. Jeanne said that she works with too many materials to NOT be organized. I must admit that I was a bit envious of her antique drawers. I have been hoping to find something like this for my Italian drawing papers. This would be much safer and cleaner than keeping the papers on the futon in my office!

Another image here depicts Jeanne while she showed me some test samples of her latest experiments with pigments. Visit her Web site or blog for updates - Jeanne is always exploring. The colors in her artworks are so much richer than anything you will see in photographs. Enjoy. Next time, I report on Florence, Italy . . .





October is National Arts and Humanities Month