Giambologna Florence Italy

Cari Amici (Dear Friends),

I mentioned sculptor Giambologna’s famous composition “Il Ratto delle Sabines” in my last post. It is one of my favorite sculptures. The final artwork is in stone and is one of the few original sculptures still on exhibit in the main piazza of Florence, Italy. Unfortunately, that public privilege keeps getting debated as more pollution makes it difficult to protect the marble.

Also, vandalism reared its ugly head recently when someone broke off a finger from Italian artist Pio Fedi’s marvelous stone carving of four figures, which is also one of the original artworks still on exhibit in this same space, the Loggia dei Lanzi. The discovery of the finger nearby is what clued in authorities about the damage. Horrible.

Back in 2004 during my first visit to Florence, I saw Giambologna’s original clay sculpture that was later translated into marble in the Academia. He was seeking to create a perfect composition in 3-dimensions. The spiral was the answer. The composition as seen from each viewing position would entice the audience to want to see what other views were offered.

As an artist it made sense to me that Giambologna did not start out with the famous (in his time) story of the abduction of the Sabines as his tema (theme). Someone suggested this titolo later and Giambologna had to design the bronze bas reliefs depicting more of the story for the tall stone base of his original sculpture.

Yes, sometimes the titles come first, but just as often, they come afterwards, or even during the creation of art. As visual artists, we communicate with a different language that consists of visual and tactile elements, such as line, shapes, tones, and texture.

The images you see here were taken at various times over the course of several years. The first one shows Giambologna’s “Il Ratto delle Sabines” in front of a projected image taken during the famous flood of 1966. I took this during the 40th anniversary event of the flood, November 4, 2006.



This last image is part of my giclée fundraising series to help the young man Rudy Sanchez that I have mentored since 1992. Rudy was born with Treacher Collins’ Syndrome. Years ago, the facial reconstruction doctors removed the last of Rudy’s teeth in order to reshape his jaw. However, through some Medicare law, teeth are considered cosmetic and therefore optional surgery (not paid for). So, Rudy needs $13,000 for a complete set of teeth. His family does not have that, nor do I.

If this image or any of my Italy images appeal to you, please consider purchasing a giclée or more (quantity savings apply) and know that your new artwork will enhance more than the lives that you share the art with. For more information about the art and about Rudy and Treacher Collins, please visit: Treacher Collins’ Art Project

Thank you so much!