Direct Carving of Marble Stone

Dear Art Lover,

     Beginnings are often dramatic since change happens quickly and memorably.  Let me share with you today the beginning stone carving stages of the contemporary marble sculpture Back to Back.  A special and limited time offer follows at the end of this blog post.  Please share with friends and fellow art lovers.  

The Creation of the Stone Carving Back to Back Contemporary Art:

    This stone was cut from the marble quarried for the artist's carving of the Gymnast. There was a block cut from above the head of the Gymnast.

     I am a direct carver. That means that I draw directly on the stone and cut what I wish to not have there. The other method is to create a sculpture in some other, more forgiving, material and then "translate it" (copy mathematically) into stone by taking measurements from the original. 

You may see the Gymnast as a work-in-progress (WIP) on the right in the background.

    Is it not easy to fall in love with marble? Even though the two images below were taken during the final sanding and polishing stages, her beauty is quite evident. She looks soft with the right curves in place and the little crystals (seen easier in the image on the right) are such a subtle splendor. 

     The next image showing the lower part of the male torso also gives you an idea of how translucent this Colorado Yule Marble can be when thin enough. I like the contrast that gives me so much change in the light interacting with the stone. The image on the right shows "the wet look." I was having a bit of fun while I was washing off a layer of fine marble dust after sanding, preparing for the next finer level of sandpaper. This sculpture is very touchable, even after the sealer has been added for protection. Enjoy touching and looking! 

     Typically, the Colorado Yule Marble will have either gold or a silver/grey veining. This stone has a thicker and harder grey material the quarrymen call "churt." While some people may prefer a solid white stone, I do not. I like knowing that the original art is a real rock with its own personality. I include here some of my favorite detail shots. They show the uniqueness of this marble, as well as the sensuality and softness of one form melding and changing into another. This next image looks like a meteor shower zipping through bodies of snow -- gorgeous! Enjoy!

Back to Back

Colorado Yule Marble
one of a kind
14" h x 9.5" x 9.5"
© Kelly Borsheim

Ships from Austin, Texas USA

$4600, but if you make at least a down payment before 30 September,  I will also add a 12-inch tall female bronze figure Ten, or the bronze male figure Valentine mounted on stone.  Feel free to share this blog post offer with anyone you think might be interested in it. Thank you!

http://www.borsheimarts.com/sculpture/2002/ten.htm

http://www.borsheimarts.com/sculpture/2002/valentine.htm

 Ten - Left

 Valentine - right

Both bronze wall-hanging sculptures with stone base

For more views of the marble sculpture “Back to Back,” please click here: 

http://www.borsheimarts.com/sculpture/2011/Back2BackMarbleCarving.htm

Tanti auguri di buon compleanno, Nori! 

Peace,

~ Kelly Borsheim, sculptor

http://BorsheimArts.com

Sculpture of Two Women

Dear Art Lover,

     It is not often that I get to work with two models at the same time.  Many years ago, I ran a special “Open Studio” at the AVAA (Austin Visual Arts Association) studios in Austin, Texas.  I touted it as a session for sculptors in which painters and those drawing were welcome, as long as they do not complain about sculptors moving our stands of clay around the room as we deemed necessary.  It was a hit and I hope that the artists had more of the sessions after I hosted those I did.

     My two female models were of very different ages and physiques.  They did not know each other before the session, so I tried to come up with poses of them being together, and yet not. I am sure you have heard of the intimate connection two people make if they would stare into each other’s eyes for ten minutes.  So imagine how great or how uncomfortable to have your naked skin touching someone for 3 hours, breaks or no breaks!

     I just had a tangent of a thought.  Ostracism is considered to be the most horrible punishment we can dish out.  As social creatures, to have society or just a group or even one person cut off your contact with anyone else would indeed be painful and lonely.  We also know from wars and abuse situations that if you want to humiliate someone, you make them remove their clothes before you hurt them.  So, I wonder if we took two warring leaders and made them simply pose together nude, or stare into each other’s eyes, could we make a more peaceful world?

     This first sculpture is titled “After the Bath,” casual poses for the lounging ladies in all probability thinking different thoughts of their different lives.  This sculpture is currently located at the Franklin Barry Gallery in Indianapolis.  If you tell owner Don Elliott or his helper Chuck that you would like to add this one to your art collection or mediation room or pool area, etc, tell them that I said the prices is a much lower $800.  Mention this blog in case they cannot reach me to verify.  Or contact me.. the same deal.

 

After the Bath 

10" h x 18" x 18"           

terra-cotta sculpture by Kelly Borsheim

http://BorsheimArts.com

      This second sculpture reminds me a little of my first trip to Italy in 2004.  The pose as sculpted was setup just to get as many of my beloved triangles into the figures.  But the base.. hahah.. too subtle?  My first time in Italy, I was thirty nine years old and wanted to put my hands on a Michelangelo sculpture before I turned 40.  I backpacked around for six weeks.  More often than not, every time I met a man on the bus, in the quarries, in a hostel or ferry or train, or just walking around admiring what is essentially Italia, I heard two questions.  “How old are you?” and “Have you ever had sex with another woman?” 

     Really?  I never had a problem telling my age, especially after my 78-year-old teacher Mrs. Steiner (or was she 72?) told us the first day in her English class that she wanted to stop the whispers and hushed jokes and just told us her age and how proud she was to have reached it.  However, I was raised in American culture in which it is considered rude to ask a woman her age.

     The other one stumped me.  Do most men think this immediately and it was just here that they actually say the question outside of their heads?  Boh!  When I moved to Italy the first time in 2006, I did not hear this so often, in fact, it was rare.  It made me wonder if this is the tourist market more than anything.

      “Waiting and wondering” is the title of this terra-cotta sculpture of two women sitting on a cloud based that has a decidedly phallic shape.  Make of it what you will.  I am just playing with shapes and being a Nature girl.  Also $800, but not in the gallery. Contact me in the studio via http://BorsheimArts.com/contact.htm

Waiting & Wondering 

8.5" h x 15.5" w x 9" d  

terra-cotta sculpture by Kelly Borsheim

http://BorsheimArts.com

Peace and happy new year.  Make the most of 2017!

Kelly

P.S.  Please check out the “Raccolta e Regalo” sale I am having on selected artworks.. Ends tonight at midnight, central Texas time.  http://www.borsheimarts.com/SaleArt2016-LaRaccoltaeIlRegalo.htm

Subscribe to the art newsletter here (it is FREE):  http://www.borsheimarts.com/contact.htm

Gemito Sculpture Bargello Museum Florence, Italy

Cari Amici (Dear Friends),

I have written a couple of times before about the Museo Nazionale del Bargello, especially the restoration of Donatello’s bronze “David.” It is the national sculpture museum and a favorite of mine in Florence, Italy. Formally a prison in which executions took place, its courtyard and three levels of rooms are filled with art and artifacts. She holds not only bronze and stone sculpture by greats such as Michelangelo, Donatello, and Giambologna, but also medallions, terra-cotta by Della Robbia, tapestries, musical instruments, and even Persian bowls and armor.

I have revisited the Bargello twice since I returned in April. And I was delighted that one of my favorite sculptures has been put back in place after restoration (and the restoration appears to have been a good one). In all honestly, I rarely like sculptures, especially bronze, of children: At least the ones that I have seen in the United States. They seem kitsch to me and too contrived, like Norman Rockwell had a sweetness overdose or something. (I like the art of Norman Rockwell, but one could argue, he is borderline on the “too much charm” edge.)

Maybe you will feel that way about my favorite here Il Pescatore (The Fisher Boy) by Vincenzo Gemito from 1874-1876. But I love the natural gesture of this bronze figure sculpture. I like that the patina is not what my foundry calls “cowboy brown” or worse – shiny. I love the way the boy’s toes are gripping the mound he is squatting on. I can remember this feeling of slowly sliding down the side of the muddy river bank, while trying not to.






I love how the fingers of the boy’s left hand radiate out from the palm, while he uses his right hand to get a better grip on the slippery fish. I adore his exaggerated downcast eyelashes that catch the light enough to showoff the boy’s concentrated face. The lips? I cannot decide if they are exhaling with the gripping effort of his hands or if he is inhaling with the thought of “I gotcha!”

Anyway, I include many photos here, unable to edit apparently. Such is my infatuation with this sculpture of a child. But I should do well to let you decide for yourself.




On a side note: My blog was just listed in the TOP 10 blog posts in Italy this week: http://italytutto.com/2010/05/02/top-10-posts-from-the-bloggers-in-italy-2-may-10/

Marble Carving Gymnast

Cari Amici (Dear Friends),

Many years ago, I had an idea . . . yup, just one ;-) It began back in 2003 or 2004. I created a maquette (French word for a small sculpture that will be used to create a larger one) in plastilina of a gymnast in a pike position. I needed to make it so that I could calculate what cut of marble I needed. I had been itching to work larger for a while now.

I then contacted the quarry in Colorado and ordered my marble. I had them cut out a block of stone above the gymnast’s head to save me the effort, but more importantly to save the stone for another project. Until I can get enough of the proper tools (for example, a diamond-bladed chainsaw), it is best to outlab these kinds of things. The idea for this sculpture is a symmetrical vertical composition, with a bit of asymmetry in the feet for a fun element (the way no proper gymnast would pose).

I have been collecting stone whenever I have my van with me and a few bucks (or more) in my pocket. The Colorado Yule Marble for "The Gymnast" (center) sat around for many years, but it is the second of the three large stones that I brought home over time. Going to Italy for extended stays postponed this project. In the summer of 2008, I decided to work on the stone a little bit, knowing that I may have to finish this over a long period of time.
Unfortunately, the railroad ties I bought for support and height began to rot and, as you can see in the 1100-pound block of marble to the right, some leveling needed to be done.


Despite the years of dust covering this raw marble and the impending storm (leaving only a diffused and subtle light for my photography), one can still see some translucency in this marble near the top edge of the block.


After cutting away some of the marble block, I had to redraw my design. I am a direct carver. That means that I do not make a large sculpture out of plaster, clay, or wax and then measure and copy it into a block of stone.

Instead, I draw directly on the stone and cut what I do not wish to have there. Yes, I have my maquette, but that is only a tool to help me determine my basic proportions. Soon, I will abandon it and work only with the stone.

And now, for a little self promo of another kind:
Wow -- something I wrote made the # 1 Business Tip on MorenaMedia's blog. So cool!
http://blogmorenamedia.blogspot.com/2009/11/amanda-strong-top-10-links-of-week.html


(Click on the image to enlarge.)

Happy Birthday, Lexi!

Against the Dying of the Light Sculpture

Cari Amici (Dear Friends),

I am so excited! And I owe many thanks to a generous collector of original art, who took advantage of my monthly payment plan offer. I not only received financial assistance in continuing my work in Italy this past year, but together we were also able to realize my newest bronze sculpture.

This autobiographical artwork is titled “Against the Dying of the Light” and he stands a total of 56 inches tall (x 14” x 13”). I created this work while thinking of the beauty and triumph in the struggle against something that feels greater than oneself. Two large hands grab a man’s extended legs as he angrily resists the pull, arching his back and clenching his fingers.

I did not create this bronze figurative sculpture to decorate someone’s living room. This work is intense and people recognize this and that is the word most often used in the description. I am OK with that. This sculpture composition is honest and pure . . . and I hope you agree, beautiful.

Many collectors have taken advantage of my monthly payment plan for adding my works to their collections. Basically, the offer is this: pay a non-refundable (but transferable) one-third deposit and then choose the amount and the date in each month in which you would like to purchase your Borsheim artwork. And the best part: NO finance charges!

Combine this with my pre-casting / introductory price on this new bronze sculpture, and it becomes easy to obtain the original art that you want. The Introductory Price on “Against the Dying of the Light” will be offered through the 15th of November. After that date, the price goes up 12%.

Contact me for more details.

Thank you for reading!

Patina on Bronze Metal Sculpture

Cari Amici (Dear Friends),

I thought tonight that I might share more of my previous unveiling of the bronze patina process used on my newest figurative sculpture titled “Against the Dying of the Light.”

Last time you saw that in the beginning of the patination process, the bronze metal took on many mottled colors as it first felt the torch. But keeping the heat on and applying more of the chemical coloring (in this case, liver of sulfur) in a consistent manner gradually changes the metal.

He is coming along beautifully, this figure sculpture of a triumphant nude male.

To see the previous post on this topic, please Click HERE.