So, I am coming to the end of my projects. Here is what my weekday often looks like: from 9 a.m. to 12:30 p.m., I work on my charcoal drawing of Sara. Then from 2 to 5 p.m. I work on my charcoal drawing of a plaster cast of a sculpted ear using the sight-size method. I do not actually see it as an ear. For the longest time I have only seen abstracted shapes, such as the duckie, the infinity symbol, and the sideways apostrophe mark.
Monday, Tuesdays, and Wednesdays, I draw from live models (portraits the first two days, one 2-hour pose of the figure on the third day) from 5:30 – 7:30 p.m. I host the Wednesday evening sessions of lots of artists sharing model expenses. Thursdays are art history night, often with two events at two different art schools here in Florence, Italy: Angel Academy of Art and the Charles H. Cecil Studios. Fridays, I have the option to draw from life again or usually, just catch up on other projects or maybe even go out with a friend.
After drawing each night, I then work some more on my drawing of Sara (without the model) until 9 p.m. Much of working with charcoal means using the point. By this I mean that the charcoal stick must be sanded to a fine point in order to be applied to the paper, especially when trying to remove any blotchiness from using other application methods. My figure of Sara is 60 centimeters tall. She has taken up a lot of time, but I am happy with the progress I am making.
The rest of the time, I am either living life, meeting new people, or doing laundry or something. Perhaps this is not the exciting life some imagined – being in Italia and all – but I am really refining my skills as an artist and I love it.
