
Welcome! See Italy (and more) through the eyes of an artist: American sculptor and painter Kelly Borsheim creates her life and art in Italy and shares her adventures in travel and art with you. Come on along, please and Visit her fine art work online at: www.BorsheimArts.com
Showing posts with label Arezzo. Show all posts
Showing posts with label Arezzo. Show all posts
Monday, October 1, 2012
Finished Mural Painting Italy
Labels:
Arezzo,
art,
Caprese Michelangelo,
Italia,
Italy,
Mural painting,
Tuscany
Location: Florence, Italy
Tuscany, Italy
Saturday, July 24, 2010
Sculpture Museum Italy
Cari Amici (Dear Friends),
Continuing my report of the small town of Caprese Michelangelo
in the province of Arezzo, I wanted to share with you a few more of the sculptures on exhibit in the Museo Michelangiolesco.
This first one just caught me off guard and made me laugh. This museum celebrates the birth of Michelangelo. His works strike me as dark and serious most of the time, and this bronze titled “Il Pollo Innamorato” (“The Chicken In Love”) by Giulio Galgani in the year 2000 is hardly that. I thought it was an idea well depicted.


This next sculpture in wood, “Scultura Multiforme” by Mauro di Scovola, was a bit confusing for me and I am not sure even now what I think of it. I can see obviously at least one female torso, but there are so many elements of Escher-like qualities and other symbols, perhaps, that I had a difficult time relating to this work. Basically, regardless of how curious I felt, the overall effect for me was not beautiful and for this, I think it has failed (for me). And yet, I included it here, so . . .

Another room exhibited the following sculpture and struck me as a moment that I had not previously seen sculpted. Decimo Passani, a Florence-based sculptor created this colored plaster piece titled ”Bambino che cade dalla sedia” (“The baby (boy) that fell from his chair”). I like the energy, the texture, and the naturalness of this artwork in sculpture. Not kitsch at all.

Although there are many more works of sculpture and even a few drawings on exhibit in the museum (some more of which I will be sharing with you tomorrow), my main complaint is that the exhibit is set up in such a way as to make viewing the art really difficult. I understand the need to protect the art from theft and dust, but the plastic enclosures were full of glare and frankly, horrible. It was lovely to be able to see outside into the surrounding green areas, but I wonder if it would have been better to place some light curtains over the openings and install lights overhead. They could be placed in positions to minimize reflection on the Plexiglas. My images are horrible largely due to the fact that I could not find a good viewing position.
Still, the museum is worth a visit in a charming location in central Italy. When I was there, the Michelangiolesco Museum and its lovely grounds on the hilltop were open Monday through Friday 10:30 am to 6:30 p.m.; Saturday, Sunday, and holidays from 10 am to 7 p.m. Tickets are four euros each, with discounts for groups and children.
Continuing my report of the small town of Caprese Michelangelo
in the province of Arezzo, I wanted to share with you a few more of the sculptures on exhibit in the Museo Michelangiolesco.
This first one just caught me off guard and made me laugh. This museum celebrates the birth of Michelangelo. His works strike me as dark and serious most of the time, and this bronze titled “Il Pollo Innamorato” (“The Chicken In Love”) by Giulio Galgani in the year 2000 is hardly that. I thought it was an idea well depicted.


This next sculpture in wood, “Scultura Multiforme” by Mauro di Scovola, was a bit confusing for me and I am not sure even now what I think of it. I can see obviously at least one female torso, but there are so many elements of Escher-like qualities and other symbols, perhaps, that I had a difficult time relating to this work. Basically, regardless of how curious I felt, the overall effect for me was not beautiful and for this, I think it has failed (for me). And yet, I included it here, so . . .

Another room exhibited the following sculpture and struck me as a moment that I had not previously seen sculpted. Decimo Passani, a Florence-based sculptor created this colored plaster piece titled ”Bambino che cade dalla sedia” (“The baby (boy) that fell from his chair”). I like the energy, the texture, and the naturalness of this artwork in sculpture. Not kitsch at all.

Although there are many more works of sculpture and even a few drawings on exhibit in the museum (some more of which I will be sharing with you tomorrow), my main complaint is that the exhibit is set up in such a way as to make viewing the art really difficult. I understand the need to protect the art from theft and dust, but the plastic enclosures were full of glare and frankly, horrible. It was lovely to be able to see outside into the surrounding green areas, but I wonder if it would have been better to place some light curtains over the openings and install lights overhead. They could be placed in positions to minimize reflection on the Plexiglas. My images are horrible largely due to the fact that I could not find a good viewing position.
Still, the museum is worth a visit in a charming location in central Italy. When I was there, the Michelangiolesco Museum and its lovely grounds on the hilltop were open Monday through Friday 10:30 am to 6:30 p.m.; Saturday, Sunday, and holidays from 10 am to 7 p.m. Tickets are four euros each, with discounts for groups and children.
Thursday, July 22, 2010
Museum Caprese Michelangelo
Cari Amici (Dear Friends),
In my last post, I spoke about my visit to the birthplace of Michelangelo Buonarroti.
In this post, I wanted to share with you some of the scenery of the museum in the small town of Caprese Michelangelo, north and east of Arezzo, Italy. Inside the buildings are copies of many of the great works of Michelangelo, but there are a lot of other artworks on exhibit as well.
I love the omaggio to classical storytelling in art in this bronze sculpture and bas relief combination that you see in the first image. The young Michelangelo rests in a twisted pose (cleverly predicting his dynamic figure poses that changed the art world) as he gazes up into his future. Although my image does not show it well, each of the boy’s future sculptures is envisioned in varying levels of dimensionality, moving from high relief close to the young artist, to extremely low relief (upper left).


Unfortunately, I could not find the artist’s names on several of these outdoor pieces, although they are assuredly more contemporary works. I think what I am trying to show here also is that just because you have seen the original works of Michelangelo, do not think that this museum is only full of copies of the great artist. It is worth a trip and quite a beautiful area.


And I can highly recommend the food at the nearby Pensione e Ristorante Buca di Michelangelo. And if you find yourself there during the week, please stop into La Pecora Nera [The Black Sheep] shop and say hello to Simona and perhaps even her husband Andrea.




In my last post, I spoke about my visit to the birthplace of Michelangelo Buonarroti.
In this post, I wanted to share with you some of the scenery of the museum in the small town of Caprese Michelangelo, north and east of Arezzo, Italy. Inside the buildings are copies of many of the great works of Michelangelo, but there are a lot of other artworks on exhibit as well.
I love the omaggio to classical storytelling in art in this bronze sculpture and bas relief combination that you see in the first image. The young Michelangelo rests in a twisted pose (cleverly predicting his dynamic figure poses that changed the art world) as he gazes up into his future. Although my image does not show it well, each of the boy’s future sculptures is envisioned in varying levels of dimensionality, moving from high relief close to the young artist, to extremely low relief (upper left).


Unfortunately, I could not find the artist’s names on several of these outdoor pieces, although they are assuredly more contemporary works. I think what I am trying to show here also is that just because you have seen the original works of Michelangelo, do not think that this museum is only full of copies of the great artist. It is worth a trip and quite a beautiful area.


And I can highly recommend the food at the nearby Pensione e Ristorante Buca di Michelangelo. And if you find yourself there during the week, please stop into La Pecora Nera [The Black Sheep] shop and say hello to Simona and perhaps even her husband Andrea.




Wednesday, July 21, 2010
Birthplace of Michelangelo

Cari Amici (Dear Friends),
Recently I returned to the birthplace of Michelangelo Buonarroti for a party that one of my collectors held in their home there. The morning after the party, I revisited the renovated Museo Michelangiolesco that celebrates the life and work of the famous artist and architect.
One of my first and most important teachers, Michelangelo was probably born in the Palazzo del Podestà , the home of his parents Lodovico di Leonardo di Buonarroti di Simoni and Francesca di Neri del Miniato di Siena. At the time of his birth (6 March 1475), babies were born at home and not in a hospital.
Podestà is the title for a delegate from the Florentine government who worked this area. Michelangelo’s father held this political post for six months during this time. Palazzo is the Italian word for “palace” but this stone house looks quite simple by today’s standards. I included a detail shot of the stairs leading to the upper floor where the living quarters were, but you may see a better image of the (left) building on the museum’s site.


Some of the furniture in the home is contemporary with Michelangelo’s time, but are not original to this space. Other furniture, such as the bed, is a reproduction in a Renaissance style from the 1900s. Also in the home are reproductions of works of art in which Michelangelo was a subject, including my two favorites: monochromatic sketches by Francescho Furini titled “Michelangelo sul letto di Morte / Michelangelo on his death bed” 1627-28 and “La Madre di Michelangelo incinta cade da cavallo / The pregnant mother of Michelangelo falls from her horse” created in 1628.
The name “Michelangelo” was added to “Caprese” in 1911 and this charming little town is north and east of Arezzo. When I was there, the Michelangiolesco Museum and its lovely grounds on the hilltop were open Monday through Friday 10:30 am to 6:30 p.m.; Saturday, Sunday, and holidays from 10 am to 7 p.m. Tickets are four euros each, with discounts for groups and children.
P.S. I hope that you enjoy my little self-portrait with Michelangelo! Ha.




Monday, November 12, 2007
Arezzo Italy - New Friends

I hope to share more with you about the amazing experience that I had this weekend. Met some new friends and toured a lovely part of Tuscany in Italy. Our trip started in Arezzo, after my friends Skye and Hafiza and I took the train from Florence. Here you see an image I took on my timer of the kind couple from Denmark and California who met us and were amazing and generous hosts all weekend. From left to right: Hafiza, Jytte (pronounced U-ta), Kelly, Borge, and Skye. We are in a park in Arezzo that overlooks the valley in lots of rolling mountains in Tuscano. More later . . .
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