Saturday, February 9, 2013

Portrait Oil Painting


Cari Amici (Dear Friends),

I was amused recently when one of my close friends, a painter, said (as he has on more than one occasion over the past year) that he thinks that I am a strong enough artist that Angel [Academy of Art here in Florence, Italy] will not beat out of me what is so good about my art. It is funny how some of us have this discussion about the four major classical art schools here in Firenze and how they differ, as well as how they do not. And most of us strive for our own independence.

Educating myself on the work of others is something that I have changed my opinion about over the years. I did not receive the traditional art education and before coming to Firenze, I knew very little about art history. I sometimes choose NOT to see the work, being curious about what kinds of images I would create without much influence of much anyone else. Other times I feel that looking at the work of others helps me hone on my own taste and grow faster. Much in the same way as my picture taking, each time I see an image, I refine my own sense of composition. It is helpful to analyze my emotional response to try to find that elusive quality that makes me FEEL something in one artwork, and feel too little in a similar effort.

I am where I need to be at the moment, despite my impatience. I find when I paint at Angel that I am trying to piece together many different approaches. Here is a small detail image of a portrait of a model Mauro that I am working on at the moment. This image reminds me of my approach with pastels when I do street painting. I have since gone in and refined the shapes in the face. Shapes are the most important thing and I find myself getting lost in them. But here, I am playing with putting the background color into parts of the face. This follows one idea that every part of a painting is a combination of the same colors. Each part simply varies in how those colors are proportioned. Let us see where this path takes me . . .

Art Anniversary Promotion: Get more art for your buck. Hurry, this one-time offer expires on 15 February 2013.

Thursday, February 7, 2013

Art Workshops Pastel Sight-Size


Cari Amici (Dear Friends),

I am planning to be in Florida, Texas, and North Carolina (USA) around mid-May to mid-June... I would love to teach some workshops in one or more of these areas. Please contact me if you are interested in learning something artistic (tell me what) and are near any of these areas. Thank you. I will focus on 2-dimensional art this time since I will be flying in from Italy and logistics and supplies/tools may be an issue for me. I see that May 24-May 27 is Memorial Day weekend: I am not sure how that impacts you. Thank you for the feedback!

Thus far, the votes are coming in for pastel painting workshop and using the Sight-Size method of drawing and painting. Pictured here is the pastel painting “Reluctant Temptress”

"Reluctant Temptress"

12" x 9"
Pastel on Pastelbord
© Kelly Borsheim

Like this original pastel painting? There is a one-time offer going on right now to celebrate my “taking the plunge to full-time” art anniversary. Act before 15 February and enjoy more art for your bucks. See details of the twelfth anniversary ART EVENT, here: http://www.borsheimarts.com/news/2013_01_GuggenheimSerraBilbao.htm

Sunday, February 3, 2013

After The Bath Sculpture Women


Cari Amici (Dear Friends),

It is not so often that I get the opportunity to sculpt two models posing together. However, some years ago in Texas, I was able to host anOpen Sculpture Studio with Austin Visual Arts Association. I hired two great models and did a couple of sculptures of them. It is quite interesting to have people hold a position for hours (with breaks, of course; the body is simply not designed to stay still for very long!) while touching each other. Touch is so personal, even the most seemingly casual or insignificant.

Today’s featured sculpture “After the Bath” is the original “sketch” in clay that I created during a short series of modeling sessions (perhaps three sessions of three hours each?). These photos were taken during the patina (coloring) process out in my wooded studio in Texas. The two women are of different ages and physical physiques. I like the contradiction of shapes and forms. I like the openness of this composition to interpretation. What is yours?

"After The Bath"
terra-cotta, one-of-a-kind
10" h x 18" x 18"
© 2005-2006 Kelly Borsheim

Like this original sculpture? If you make arrangements to add this artwork to your collection before 15 February, you will receive MORE art (of your choosing). See details of the twelfth anniversary ART EVENT, here: http://www.borsheimarts.com/news/2013_01_GuggenheimSerraBilbao.htm

Happy birthday, Great Aunt Lil in St. Paul!

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