Wednesday, December 8, 2010

Crack in Stone

Cari Amici (Dear Friends),

I have been trying to get back to my “drug of choice” – stone. So in-between preparing for exhibits, making art for my galleries, and just plain old “takin’ care of business,” I have been going outside to work on my marble carving of the “Gymnast.” I last wrote about her on my January 19, 2010 blog entry. I had just cut a hole into the space under the chin and in front of the vertical legs.

When I have left a work for a long period of time, I tend to move back into it slowly, reacquainting myself with the form and at the same time, trying to see the work with a fresh eye. I want to be fully focused before I continue. My first thought is to notice my emotional response to the artwork-in-progress. While it is difficult to carve emotion, per se, any negative emotions are often my first clue that something is wrong with the shape. I just have to figure out what sometimes. [Other times, it is quite apparent.]

I first noticed that there was a crack in the stone near the outer toes on the figure’s right foot (pointed out with red arrows in the first image). So, the first step back into carving was obvious and I removed entirely the stone outside of the crack. Some carvers like to use SuperGlue or some such adhesive to keep the crack secure as they carve around it. But thus far, my feeling is to get rid of a defect, or dead stone, and redesign. In this case, I still have plenty of marble for the feet.

This next pair of images shows you the markings I made on my stone of what to remove or lines to follow as I shape the feet. I tend to stand back about six feet from various vantage points to make sure that the line I will be creating flows beautifully.

In this final image, you can see what the end of my workday looks like. I do tend to watch the setting sun through the trees as I wrap up the day’s work. You can also see some of the mulch I have been spreading around my work site. The electric company came in a week or two ago and cut down and trimmed all of the trees within about 20 or 30 feet of the electric lines. I asked them if I could keep the mulch they made from the smaller branches and brush. I have been shoveling a little bit each day that I am out. Lovely stuff! And the cedar (juniper really) smells fantastic, although most of my privacy is gone.

Thank you for your interest in art and process.

Happy Birthday to my sweet brother Paul!


G G WOOLARD said...

Hi Kelly,

I read here with glued eyes and wow. Your my new art hero!!! Your approach to this project was jaw dropping inspiring.

Thank you for sharing this, please do more and how can i come be your grunt man, gopher and learn from you I am wondering and hoping.

Garland Woolard

Kelly Borsheim said...

Hi Garland! Wow... I was just re-writing the page for the Gymnast on my new Web site [conversion] and saw your comment.

Thanks so much for the enthusiastic encouragement! I no longer live in Texas, and have no idea where you are. But, keep working with the rock and study design. I have studied technique a lot, maybe not as much as many others, but I find design the thing I wish I had learned more about when I was younger.

I did receive an e-mail from you, but with various computer problems, I will have to find out which laptop your communication ended up on... although I suspect it was the one which does not allow me to SEND e-mail. harumph.

In any event.. THANK YOU for your joy.