Thursday, August 6, 2009

Tony Cragg and the Elliptical Nave

Cari Amici (Dear Friends),

Not too far from the Mirabell Gardens in Salzburg, Austria, lies what I believe is called the Holy Trinity Church. There is a small piazza in front of the church that includes a tented seating area for eating, a green lawn, and a bizarre sculpture by Tony Cragg that reminded me of science fiction.



My friend Sylvia enjoys this artist’s work. I am still unsure of what I think, although I am leaning towards the view of . . . beh! At her suggestion I later saw Tony Cragg’s exhibit in the Museum der Moderne Salzburg that will continue until October 4, 2009. In general, I do not like it when the words about the art speak to me more than the actual art. That said, there were some drawings that I found intriguing in the artist’s exploration of showing the path of movement in objects.

As an artist whose style is more classical than not, you might think that style is the only kind of art that I like. Not true. And I think that the world is more interesting with a variety of expressions. That does not mean that I have to like them all and in all contexts. And thus, I had assumed that this sculpture I show you here was on temporary exhibit, although I suspect that assumption is wrong. I do like the color contrasts of the Cragg sculpture with the surrounding architecture and trees and the idea of old with new; I am just not convinced that this particular piece is the one that fits right in this space.

However, it is the church that I wanted to write about. She is lovely with a relatively simple elegance compared to many European churches that I have seen. I like the attention to details, such as in this hinge design. I never cease to be amazed at the charm and beauty in how we combine stone, metal, and wood.


Although the iron gate inside was locked, the outside wooden doors allowed us to enter and I took most of these images through the gate. The frescoes or paintings that grace the upper walls between the three altars are simple swashes of orange (essentially the robes of figures). Their simplicity seems right against the busy-ness of the altars.


What is unusual about this church, and something I had not noticed when viewing the dome outside, is that the nave and dome are elliptical, not circular. Maybe the twin towers in front of the dome outside help to hide her unexpected shape. In any event, I was grateful that we got to see inside a bit.




2 comments:

Anonymous said...

Kelly, Thanks again for the tour of interesting visual experiences.
I see a disconnect with the Cragg piece and the environment, and maybe that is what he is saying...
I especially relate to what you said about the combinations of wood, stone and metal.
The eliptical dome is a first for me.
I appreciate your sharing.
Gene P.

Kelly Borsheim Artist said...

Thank you, Gene. You are always so supportive of my writing and images. I hope your summer is going well . . .
grazie tanti