How to Self-Critique a Drawing in Charcoal - Realistic Art Venice Italy ...

20th Art Anniversary Sale: FRAMED Art

     My 20th Art Anniversary Sale, through Feb. 15, 2021. These five images are all FRAMED reproductions of my original charcoal and/or pastel artworks.
Each of the four large ones you see here are ON SALE for $200 US [plus shipping from Norfolk, Virginia USA]. 

The small nude of Valentina in Venice, Italy, is ON SALE for $150 US, plus shipping.
Message me to claim your artwork! 

Left to right: World Traveler (Pinocchio with old world map and music and globe); top: Ponte Vecchio (Florence), below: Hindsight; The Letter; and Memories of Venice.

[please note that the text you see on the Ponte Vecchio and Hindsight is only a reflection inside the gallery. These are framed in either a clear plastic [better for shipping] or glass [the small one]. I do recommend changing that out if your display area gives too much distraction in reflection and buy Museum Glass or any other type of non-reflective glass.]

More about the pastel and charcoal drawings:

World Traveler (Pinocchio):  A well-told story will travel further and through time more than its author can! $200, plus shipping from Norfolk, Virginia USA, Framed 24 x 18-inch reproduction

 

Please contact the studio directly if you would like to acquire World Traveler:  

https://borsheimarts.com/pages/contact

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 The Ponte Vecchio (Old Bridge), Florence, Italy:  Maria the beggar casts a long shadow while the tourists ignore her for views of the Florentine landscape.  

$200, plus shipping from Norfolk, Virginia USA, Framed 14 x 18-inch reproduction

 

 Please contact the studio directly if you would like to acquire Il Ponte Vecchio ~Florence, Italy:  

https://borsheimarts.com/pages/contact

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The Letter:  A woman receives a letter during a party in a Tuscan home above Firenze.  What story would you put with this image?

$200, plus shipping from Norfolk, Virginia USA, Framed 33 x 16-inch reproduction

Please contact the studio directly if you would like to acquire The Letter:  

https://borsheimarts.com/pages/contact

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The Nudes:

Hindsight:  In the quiet moments alone, what thoughts enter . . .  

$200, plus shipping from Norfolk, Virginia USA, Framed 19 x 25-inch reproduction

 

Please contact the studio directly if you would like to acquire Hindsight:  

https://borsheimarts.com/pages/contact

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 Memories of Venice, Italy (Valentina):  Live Models have a lot of time while posing to virtual travel.  This reproduction is smaller than the others above.

$150, plus shipping from Norfolk, Virginia USA, Framed 15 x 11-inch reproduction

 

Please contact the studio directly if you would like to acquire Memories of Venice:  

https://borsheimarts.com/pages/contact

At these prices, these realism drawing copies are a great way to brighten and personalize your home or even give art as a gift!  

Thank you for supporting my work,

Kelly Borsheim, artist

https://borsheimarts.com

 

Borsheim Art Newsletter Excerpt: Museo Stefano Bardini

 Dear Art Lover,

Well, this transition took me a while. How are you? I have now been back in Italy for over a month and am working to create new art for another solo exhibit here in Florence in June. I enclose here a small thumbnail image of the pastel painting "Still Life: Fiesole" inspired by one of my friend's home in the hills above Florence. Click on the image to see more.

--------------------- Museo Stefano Bardini - Florence, Italy       Florence, Italy, recently celebrated its "Notte Bianca" (White Night). This is a night in which all of the famous central part of the city comes out to play, even more than usual. Street performers are out, wine and music are flowing, and there was a wonderfully dynamic video installation projected over (and using) the architecture of the Uffizi Gallery's Corridor.         One of the other perks is that some of the museums stayed open late and were free to enter. So, I want to share with you some of the jewels inside the Museo Stefano Bardini.         Stefano Bardini was an avid art collector and is said to have had a natural ability to successfully display together works from different time periods. The first thing that one must notice is that the walls are a soft blue, very unlike the typically warm Tuscan yellows. But the blues perfectly enhance the creamy colors in the stone sculptures.          Perhaps I should admit one of my weaknesses: I rarely remember the names of the artists or the titles of the works. I realize that is perhaps unhealthy for a professional artist. However, especially in a museum, I find myself overwhelmed with what I AM looking for, that the labels often seem unimportant. Even as a child I was interested in the idea more than the source, unless that source was essential to that idea.        So, if you want to know more about the artwork that I am showing you, please visit the Museo Stefano Bardini. They also have more clear images on their site than the ones that I have shot here. See the full article with images here:  https://borsheimarts.com/blogs/news/museo-stefano-bardini-florence-italy        I just love the two animals in the upper right corner of the image on the right. My favorite are the ears!        I first became interested in bas-relief sculpture after spending two days working with it in a sculpture workshop with Eugene Daub many years ago. I learned then its potential and have since stopped calling it "Puffy Painting." However, it has been Italy where I began to appreciate the full range of what one can do in relief. Sculptors know that we must carve for the light and we only can assume, for the most part, that that light will come from above.      Look at the detail shot of the pulpit - can you see how the artist maximized the use of undercuts to create the shadows necessary to distinguish the form. If you really look at this stone carving in relief, you will notice just how many different tones are there, based soley on the way the stone was carved or how deep or angled an undercut (narrow and angled creating a darker shadow). Brilliant! And lovely.      Oh, the expressiveness. Oh, the creativity. Oh, the technique. Without electricity, these forms were cut from stone. Do you know how difficult this really is?        Such magnificient and imaginative creatures. These carvings seem a bit crudely created to me and yet, they have their own charm.      Really, I was so enchanted not only by the blue, but the way in which busy carvings were put together with a harmony of line and simplicity.  Maybe from the Della Robbia studio, famous for the blue backgrounds on white ceramic bas-relief sculptures. These stairs remind me of Michelangelo's Biblioteca Medicea Laurenziana, also here in Firenze.       The ceilings are spectacular! What is amazing is that some of the designs and executions may not appear complicated, but put together over a large area, and ... wow, what an effect! "The drawings in Bardini's collection were mainly ascribed to Giovan Battista Tiepolo (1696-1770) and his son Lorenzo (1736-1776)." (I photographed the sign . . . )      "These bronze statuettes are ascribed to Severo da Ravenna's workshop. They are really expressive and represent sea monsters, pagan gods, winged dragons, lamps, acrobats and little naked angels, licentious satyrs, candle holders and other profane subjects." [sic, on the grammar]      "There is another lamp representing a licentious subject, so as to instigate laughter when it was lit. These kinds of objects were requested above all by humanists, often fond of studying nature. That's why the bases were frequently cast on real animal legs, such as the cock's foot on this lamp."         I found this crucified figure intriguing because his body did not fit the shape of a cross. Perhaps I am crude to say that the abstract shape appeals to me as having a graceful flow to it.      From the museum: "Over them [two figures not shown here] is hung a Crucified Thief, of which the cross has been lost. In the 1918 New York auction catalogue, Bardini presented the bronze as a work of Zaccaria da Volterra, based on Michelangelo's design."      I do not understand how they can place this figure on a cross -- would not both feet have been secured? The lower arm was dangling from a rope on the arm of the cross? The figure's back is as well formed as the front. I am certainly no expert, but many sculptors only shape the parts that will be seen. On the other hand, perhaps a slender cross would allow spaces in which the body could be viewed. In that case, a sculpture in the round would be much easier to create and better for a thorough viewing.      Now, here is a happy fellow in this center image! And displayed among other bronze reliefs of madonnas and religious figures (not shown).[I do apologize for the refection of my camera in this shot!] It is sad to see the damage done to this wooden vessel. But what a glory piece she is!      While I am not personally much interested in weaponry, the part of me that loves science fiction and fantasy art was intrigued by these spear shapes. Perhaps the holes were made to make the metal lighter, but they are still beautifully crafted. Gotta love this: Naked guy angel on a gun? Just look at the size of those thighs! Mamma mia! Stone, metal, wood: Sculpture is da bomb!      Oh, I wish that I had gotten a better image of this lion in restoration - this area was behind a locked glass door.       I know a tour guide for Florence who recently posted on Facebook that although the Florentines used the lion as their symbol before they adopted the current fleur-di-lis (different from France's), the artists had never even seen a lion, other than looking at ancient artworks. However, this lion is so much more elegant in form that it makes me wonder . . . For example, I love that graceful triangular taper from the rib cage to the hips.   Giambologna's frightful creature Diavolino (little devil) gives me a theory about where Dr. Seuss came up with "The Grinch that Stole Christmas".     I must say that I enjoyed this idea of wallpaper (in truth a fresco) turning out to be a curtain.      Maybe these works are not famous (the sculpture on the right is a fountainhead), but I hope you recognize the artistry in them. And I hope that I have left you wanting more. ------------------- Recent Blog Topics: The Fisherboy, bronze sculpture by Gemito in Bargello Museum Pastel Streetpainting in Florence, Italy Liberation Day - Italy The Ceiling of the Uffizi Museum Part Two of Day with the Diva Judy Witts Francini and the Conti Family (food market tour)   Interested? Subscribe online at: http://artbyborsheim.blogspot.com (This is a different subscription list than the one for this art newsletter.)   That's it for now. I hope to see you soon! Thank you for reading and by all means, forward this newsletter to anyone you think would enjoy it. All of the events mentioned here are open to the public.   Pace (peace), Kelly Borsheim 5 May 2010 Sign-up to receive FREE e-news or printed mail. Return to Read Other Newsletters - Table Of Contents Page   If you enjoy Borsheim Art News, please forward it to friends and colleagues. It comes to you about 6-8 times a year from Cedar Creek, Texas-based artist Kelly Borsheim.   Home  | Contact Artist Copyright © 2010 Kelly Borsheim All Rights Reserved