Monday, September 3, 2012

Goya Bilbao Spain

Cari Amici (Dear Friends),

This past week and for this next one, I am learning the art of mural painting from my friend and colleague Victor Goikoetxea in a workshop here in San Sebastian, Spain. I was lucky enough to be offered a day trip on Saturday to nearby Bilbao with my host family, one of Victor’s cousins. After arriving in Bilbao, I was dropped off in front of the famous Guggenheim Museum. That was fun, but even before I explored the grounds of the Guggenheim, I saw banners hanging from the street lamps advertising something even more enticing.

I could not believe my luck: there is an exhibition going on at the nearby Museo de Bellas Artes de Bilbao of Francisco de Goya’s etchings! I find myself intrigued with etchings and know that if I possibly can, I will learn more about this process enough to try my hand at it. Goya (1746-1828) changed the way that etchings were viewed. According to the writings on the walls of the museum, etchings were traditionally created as copies of paintings. They were intended to create a wider public awareness and appreciation for a painter’s work. Rarely before Goya had anyone used the printmaking process to create original compositions. And what wonders Goya created!

Even if you find Goya’s subject matter dark or too satirical or something (insert your own adjective here) for your taste, perhaps you can appreciate his dramatic imagination, as well as his ideas of composing in light and dark. Much of his work was a direct outcry at the excesses and abuses he saw in his own culture and for this, he was not without censure. He was a master at expressing himself. While the museum permitted absolutely no photographs, I include here some of Goya’s etchings and/or aquatints that I found on the Internet that show much of his skill in creating many different tones by “scratching” made into copper plates. I know artists who work in this medium and it is not a skill developed overnight!

Goya: “The Well-Known Folly” aka “If Two to One Stuff Your Arse With Straw”

Goya: Disparates series -- “Strange Folly”

Goya: Lucientes – “The Sleep of Reason Produces Monsters” the caprices, 1799

Goya: “And They Still Won’t Go” 1799

Goya: ”Disparate de Bestia”

Goya: “Que Viene Coco” or “Here Comes the Bogey Man” 1799

Goya: “Los Ensacados” or “The Bagged” 1823

This exhibit of Francisco de Goya and other artists inspired by Goya ends on 23 September 2012.

Incidentally, two of the etchings that I saw had a figure in it that no doubt inspired the Frankenstein image we see in films. I was stunned at the resemblances!


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