Showing posts with label representational art. Show all posts
Showing posts with label representational art. Show all posts

Wednesday, August 24, 2011

Gallery Visit Indianapolis

Cari Amici (Dear Friends),

Well, today’s post is another invitation. But first… a little tooting the horn of my artwork:
My pastel drawing on black paper titled "World Traveler" was a finalist in the prestigious Art Renewal Center 2010-2011 ARC Salon - Still Life Category. The ARC works to promote excellence in representational art.

“World Traveler” is one of the images that you may see at my next event. I hope you will help me start of the Labor Day weekend right by checking out “First Friday Gallery Walk” in Indianapolis. Gallery owner Don Elliott and I (at least) will be on hand Friday to personally show you the latest from my studio. I would love to see you there.

2 September 2011
6:00 - 9:00 p.m.
during the Gallery Walk

“Italian Living” Gallery Walk features pastel + charcoal artworks by Kelly Borsheim

Franklin Barry Gallery / The Frame Shop

617 Massachusetts Avenue
Indianapolis, Indiana 46204
For information, please contact Don Elliott at the gallery via telephone at 317.822.8455.

In any event, stay safe and stay cool during the upcoming holiday weekend (here in the States anyway).

Monday, December 28, 2009

Anatomy and Line

Cari Amici (Dear Friends),

Although I have not spoken much about this, I am not trying to make a copy in marble of an actual human being. While I am thinking about anatomy and using real bodies for references, I am constantly looking for that beautiful line.

The depressing thing about doing art of a more representational style is that people judge the piece for what it is not more than what it is. I mean that the tighter a work gets towards recognizable, the more people critique it for the artist’s mistakes. If would not matter if someone creating an exact replica of a specific person that was 99% accurate (on a scientist’s terms I suppose). The viewer’s eye would immediately find that 1% inaccurate part and it would ruin the rest of the effort.


It was not until my first visit to the Benson Sculpture Garden in Loveland, Colorado, about a decade ago, that I realized that there was a limit to how far I wanted to depict reality in my own work. Too much reality bored me. Art is in the details, but the KIND of details makes a world of difference. In Italy, especially, I have been learning to understand the difference between art and copying.


So, anyway, these images that follow show you how I am inspired by Nature’s anatomy, but that I am seeking a line that flows beautifully. In the latter two images, I have drawn the line of the legs that are covered up by the hands. This not only helps me to shape the legs underneath the arms and hands, but also helps me know how close to carve the hands and how much more marble I must remove.

The most difficult thing to do in stone carving is to have two things touch without overlapping in a weird way or becoming too far apart.

Enjoy your New Year’s celebration.



Saturday, November 17, 2007

Sara - A Charcoal Drawing - Disegno


About mid-October I started my first drawing for a carboncino (charcoal) drawing on paper. Here in Florence, Italy, the favored papers are Umbria brand and Roma. Rigacci’s Art Store did not have the Umbria when I arrived to purchase my paper, so I am using the Roma. The Roma brand has a very obvious line-patterned tooth (a rough surface for holding the carboncino) that I will carefully need to work with to create a smooth tone where desired.

In this image, taken over the Halloween weekend, I am in the process of transferring my original drawing onto a piece of the fine Roma paper. I do the original cartoon drawing on regular drawing paper. I work out my proportions of the figure and create my disegni. (Those who have visited the newsletter section of my Web site may already know that in Italian, the word disegno means ‘drawing’ AND ‘design.’ They are one and the same.

I have drawn the outline of the figure with props, as well as the shadow shapes. While this is considered representational art, I am not copying Nature. I am using Nature as an inspiration to create a pattern of shapes and tones. Illusion is not reality. Illusion is not copying. I have an almost infinite amount of choices. That is why, even when working with the same model and having the same sort of goal in mind, each artist’s work will look different from anothers. Disegni, baby.