Orvieto Italy

Cari Amici (Dear Friends),

Once the site of an Etruscan acropolis, Orvieto, Italia, is one of those places that you see in a lot of postcards. While my friend Caroline and I did not have much time on our way back to Florence from southern Tuscany recently, she wanted to show me the impressive Duomo (cathedral) in Orvieto, so we drove on up the hill and into the parking garage. Very few vehicles are allowed into this walled city and it was fun to ride up into it in an elevator with a dog! [Dogs are pretty much allowed everywhere in Italia.]

Even on the overcast day when we were there, you may get a sense of history and beauty of this town that I will definitely revisit! This little outdoor bar/ristorante shown here is right next to the Duomo of Orvieto, but I will keep those Duomo images for the next post.

Also, I had hoped to publish this post on Easter Sunday because I was really struck by the gentle face of Jesus in this fresco, also not far from the Duomo. But time slipped away from me and timing has rarely been my strong point. I have written about the Tabernacoli fiorentini, which got my attention by their sheer abundance and my friend Simone’s explanation about these shrines having been created outside in order to slow down the spreading of the plague. The protective Plexiglas makes most of these tabernacles very difficult to see, much less photograph. Peccato!

There is a simple composition in this fresco that felt comfortable in my brain the way many others have never done. In art, vertical lines often portray an emotion of security, the way that tall buildings and trees give us a sense of strength and solidity. [Horizontal lines are peaceful; diagonals are where the action is.] The slight lean of Christ’s body and his parallel cross break up the normalcy of ordinary vertical lines and it feels to me as if there is a sense of movement or life in this image.

And while it has obviously worn away, the fresco-making process shows us the outline of what once was a huge sweep of drapery on the figure that leads the eye up to the Cross. I suspect most people would not think of such a thing, but I like it that the diagonal lines are looking down from the right. We in the Western world read from top left to lower right. I flipped this image in my mind’s eye and decided it had more grace and surprise for me, maybe even a more contemplative feel, by having this diagonal energy moving “back into” the composition (ie from upper right to lower left). So, I am now curious to know how a person who reads in another direction would response to the shapes in this figure composition.

I also think it is cool that you do not see the figure’s lower legs or feet. A good design is a good design, even as it is eroding before our eyes. I hope you enjoy my snapshots of Orvieto, Italy.

Because time got away from me and I have been very busy dealing with my taxes and a new housing contract and other such head-twisting tasks, I decided to extend the early bird savings deadline for my portrait workshop in Florida… the new deadline will be April 17, 2013 – two days after the IRS tax filing day. Just in case you are as side-tracked from art as I have been lately. Click here for more information about the workshop: http://www.borsheimarts.com/art-workshops/2013ArtPortraitWorkshopFlorida.htm

Tabernacoli Fiorentini – Florence Tabernacles

Cari Amici (Dear Friends),

In my recently published art newsletter I wrote about the devotional art in Florence, Italy, specifically, the tabernacles. In Italian they are called tabernacoli fiorentini.

I have shared with you what I know of the history of these devotional windows, as well as many images I have taken of various tabernacles around the central part of the Renaissance City over the last few years.

Check it out:

http://www.borsheimarts.com/news/2009_12.htm

Merry Christmas!

Tabernacoli Fiorentini Italy

Cari Amici (Dear Friends),

The other night some friends and I went to Hemingway’s in central Florence, near the Chiesa (Church) di Santa Maria del Carmine. It is known as one of the better chocolate places around. I thought I would indulge, but instead of chocolate, I got a mascarpone con fruitti di bosco (cheese and berry) crepe.

Afterwards on my way home, I again photographed one of the more attractive shrines one finds around bella Italia. I have been photographing the tabernacoli fiorentini for a few years now. I am not sure why I find them fascinating, but I suspect it is because there are so many and sometimes in unusual places that it makes me envision people just stopping in their tracks to pray.

The one I show you today is more elaborate than most because it has the double images. The painted terra-cotta bas relief of madonna and child was especially beautiful this night because of the fresh flowers someone had added. There was a sign there that listed the title and date (XIX for “Gesu’ Coronato di Spine), but my blurred photo in the night was too blurry for me to determine whether the artists’ names were included.

This tabernacle was restored in 1995 and apparently is still much beloved.

For more information, check out sites such as this one on tabernacoli fiorentini