Friday, August 12, 2016

Germano Nardini Stone Quarry Traditions Tuscany



Dear Art Lover,
   I was delighted to take a break from carving my Pinocchio sculpture in the local stone, Pietra Serena.  Marco Nardini (of the quarry Cava Nardini in Vellano, Toscana, Italia) had received a visitor and he was great to share with me some of the history of the quarry.  This man Giovanni Cosci’s grandfather and his father had worked in the quarries years before, although he told me that the grandfather had a better talent with the stone than his father had.
 
Cava Nardini stone quarry pietra serena, Vellano, Tuscany, Italy
Germano Nardini shows me [Kelly] how to make a paper hat.
     He went on to explain some of the history of stone quarrying in this area.  After WWII there was a LOT of work, reconstructing roads and bridges.  Cava Nardini had another proprietor in those days.  After the roads and homes were rebuilt as needed, the labor force moved into the paper factories that line the river in this valley called Valleriana, north of Pescia in Tuscany.  Sadly, today there are only two paper factories left as the economic crisis eats up the futures of many Italians.

     Giovanni said that Germano Nardini, Marco’s father, took a huge risk when he bought the quarry.  None of the shop buildings we see today, the office, or even the large flat area with is so easy to work in now existed back then.  Germano slowly and persistently created his new business with determined tenacity.  And his son Marco was soon by his side.

Cava Nardini stone quarry pietra serena, Vellano, Tuscany, Italy
View of the Tuscan Hills from Cava Nardini, Italy
Cava Nardini stone quarry pietra serena, Vellano, Tuscany, Italy
View from the top part of Cava Nardini, looking down.
     I love the descriptions of the quarry work from those post-war days.  Young sons would arrive in time to bring their fathers a lunch of coffee and bread.    One could hear, “Bimbo, vieni qui!” [Little boy, come here!”] once it was a safe time for the boys to enter.
     After war, there was lots of work in many quarries in the area to rebuild after the bombings.  Later, the work dropped off and the workers moved to the paper mills [if my understanding of Italian was accurate].  Today, Cava Nardini is the only quarry is the area of Vellano, although there are a few others still in existence closer to Abetone.

Many hammer heads and one handle.  When lose, we put in water to soak up into the handle, tightening the fit.

     Harvesting this hard grey stone (a sandstone) that you see in the buildings around Tuscany, including Florence, was not easy.  A man would climb up into the mountains, mind you, Giovanni clarified for me, not smooth and accessible the way the quarry looks today, but rough, rugged wooded mountains.  While hanging from a rope, a quarryman would have to slowly hammer a long [his hand motioned about a 2.5 feet length] stick of iron into the rock  He would hammer and twist and then remove the metal to take out the resulting sand.  Piano, piano, all while swinging from a rope.  And he would repeat this “hand drilling” until the hole was deep enough.  What difficult work, especially given the angles and suspension!  Many of these long thin holes had to be hand-drilled into the stone mountains along the lines in which another quarryman had determined the cut should be. 

Two "pins and feathers" sets used to remove a larger piece of stone from Kelly's scupture.
     The holes were then filled with explosive powder.  The men near the holes, once ready, would then holler to the man below, “La Mina!”  That receiving man would then yell to those below him, “La Mina!”  Each man below another would continue this message to those further down the mountain. 
     When I asked Giovanni to repeat the phrase that the men yelled, he said, “La Mina!” [literally, “the mine”].  Marco interjected at this point, “As in the [bombshell] Italian singer, Mina.”  She, Mina Anna Mazzini (born 25 March 1940),  is still quite popular today.

     After passing the message down the mountain, each man would take cover or at the very least stand directly behind a tree.  Five minutes later, the fuse was lit and the bomb was heard throughout the valley as the stone was released from the mountain block.

      Germano is now 83 years old, but you would not know it so much.  While his son Marco runs the quarry, Germano is often around, at least when my friend Kumiko and I have been there.  Germano still operates the large machinery to move or break pietra serena into uneven blocks used by the muratori (wall builders) for homes in the valley.

Germano Nardini lends a chisel to sculptor Roberto Politano.

Germano Nardini presents sculptor Kumiko Suzuki with a paper hat.

At 83 years old, Germano seems unstoppable!

     Germano is helpful and always joking.  He offers advice when he sees something he thinks we can improve upon, including staying cleaner by using the traditional paper hat, creating several for each sculptor in our symposium.  He is someone we all like and respect, even though he asked each of us at one point or another, “Did you learn nothing in school?  Must I teach everything?”   ahha.. He even rakes the stone chips away from our sites to help us not trip over them.  On the downside, he does suffer lung problems because he has breathed in too much stone dust.

Kumiko has a conversation with the maestro.
  ++++
     Although these links are to sites in Italian, Google translate is enough to give you some more insight into the history of marble and other stone quarrying processes in Italy.

     Good page for marble in Carrara, the Lizzatura [moving the marble from the mountains to the sea, re-enacted each August or perhaps every other year…it was this year on August 7, Sunday], and includes historic images.  Especially interesting is the description of “Apuan Alps - The lizzatura the Monolith took place in November 1928” [30 pairs of oxen and 6-month’s journey to reach just the town of Carrara, with some slopes as steep as 60%!  It arrives at the sea port almost one year later], as well as the story of the poet visiting during the explosion on July 14, 1907.

 CAVA NARDINI: Nardini Germano di Nardini Marco
Via Mammianese, 371 Vellano Pescia (PT)  Tel 3395438705   P.iva 0130045 047 3

Enjoy the Olympics!

Peace,
Kelly


P.S.  Happy Birthday, Aunt Carole! 

Germano Nardini using quite the power hammer.

Germano and Kelly afterhours (note my shoes!)

Germano Nardini in the driver's seat, breaking boulders

Thursday, August 11, 2016

Cava Nardini in Tuscany



Dear Art Lover,
Kids assist to sculpt Pinocchio, Tuscany
     One of the perks of working at the quarry (besides being in the mountains all day!) is introducing children to this life. While they cannot do much for safety reasons (and my safety goggles are too large to protect a child's face), it is wonderful to see their responses to sculpture, giant machinery, and the stone quarry itself. Here you see a young gal working on my stone carving of Pinocchio and then Marco Nardini (of Cava Nardini in Vellano, Toscana, Italia) helping the children experience a real driver's seat!  [Cava in Italian means quarry.]

Enjoy the Olympics!

Peace,
Kelly





Stone Quarry Cava Nardini Vellano Tuscany Italy

Stone Quarry Cava Nardini Vellano Tuscany Italy

Stone Quarry Cava Nardini Vellano Tuscany Italy



Sunday, June 26, 2016

Nitram Charcoal FIRE Sale

Charcoal drawing by Kelly Borsheim; Valentina Memories of Venice
Dear Art Lover,
     There are only five days left in my Nitram Charcoal FIRE Sale.  If you receive my art newsletter or follow some of my posts on Facebook, you may have seen me share information about a recent fire at the new Nitram charcoal-making facility in Canada.  They have been good to me, featuring my charcoal drawings in their new promo videos and even sending me supplies – to Croatia and Italy! They even supported my Kickstarter bronze casting campaign in 2015.   
    Naturally, I want to help out this art supply company that has so much passion for art and good materials and a generosity above the norm. I will make a donation to help Nitram rebuild and will base it, in part, off of sales of my charcoal, pencil, and carbon pencil drawings.
To encourage these sales, I offer you a

20% SAVINGS on these works, good through June 30 [2016].

Just let me know which artwork(s) interest you and I will be happy to work out the payment details that fit your budget.
You may find these drawings mainly on the following pages. Some will be framed, a few not, but you may order as you like.
http://www.borsheimarts.com/charcoaldrawings.htm
and
http://www.borsheimarts.com/drawing2.htm

Charcoal drawing Hellcat at the Pitti male model on motorcycle


Details, as well as images of my travels in Italy recently with my brother Steve, are here:


Or, you may also choose to help Nitram rebuild directly, through their “Go Fund Me” Web page.  Check it out here:

Nitram Charcoal Fire in Canada
Nitram Charcoal Fire in Canada


    Happy Sunday and enjoy your week!  

Peace,
Kelly



Charcoal drawing Daydreaming female model sitting on couch
Charcoal drawing Enough! male model
Naken Gondolier Carbon pencil drawing of male model by Kelly Borsheim


Charcoal and pastel drawing il Dono  male model offering gift

Thursday, June 16, 2016

Florence Accademia Lorenzo Bartolini

Dear Art Lover,
    
     Having lived for many years in Firenze, Italia (translated to Florence, Italy), I have passed many a time and admired the Demidoff Monument by sculptor Lorenzo Bartolini.  My favorite of the marble allegorical sculptures is a mother holding her sick or perhaps dead child across her lap, in a not unlike the famous Pietà pose by Michelangelo.

     My brother Steve was recently visiting me here in Italia for the first time and we traveled around quite a lot to give him a brief taste of this country.  Naturally, while in Firenze, we went to the Medici Chapel (my favorite place) and the Accademia

     Besides housing Michelangelo’s famous “David,” the Accademia also houses his marvelous unfinished slaves, many more paintings and then..the gesso museum… a true delight.  This is where many of the plaster sculptures used to create a copy or copies into marble (with a point-up system) are stored.  Many will still contain the little black dots on the surface of the plaster.  These mark the high points in an area of each sculpture and help in the roughing out of the stone, so as not to remove too much material from any given area. 

Lorenzo Bartolini Plaster Sculpture Museum Accademia Florence, Italy
“Love, Vice, and Wisdom” by Bartolini
      Lorenzo Bartolini (Prato 1777 - Firenze 1850) is one of the artist with many sculptures here to admire.  One of my favorites is a composition of three children.  It is unusual in that it is mostly horizontal.  Sculptors often create vertical compositions that read well from a distance.  “L’Amore, Il Vizio e la Saggezza” (“Love, Vice, and Wisdom”) is dated as “before 1845,” five years at least before the artist died. The three children are arranged in overlapping reclining poses, a bit triangular on a round base.  It reminds me of Giambologna’s “Il Ratto delle Sabine” {“The Abduction of the Sabine Women”) in which the sculptor was seeking a perfect composition that enticed the viewer to walk around to see all sides.  [Note that the title of Giambologna’s composition was given by someone else AFTER the work was done, based on a popular theme in art at the time.]


     Shown here is the plaster model from which was carved the marble sculpture for the Metropolitan Museum.  I apologize that my images are not so clear nor show all the views.  My main camera died in my second fall where I reinjured my knee back in March.  Then this smaller camera I bought from a friend years ago and only used for backups died during my brother’s vacation.  My neighbors were probably relieved that I was not sporting a camera during our recent dinners together.  Another one has been ordered in anticipation of my first trip to Sicily soon.  Enjoy… and see the Accademia when in Firenze.  There is also a small set of rooms for the study of music.  They have many unique and/or antique musical instruments there, as well as a handful of research computers.

For more information on sculptor Lorenzo Bartolini, click here:

Peace,
Kelly


P.S.  Welcome Home, little Levi! 


Lorenzo Bartolini Plaster Sculpture Museum Accademia Florence, Italy
“Love, Vice, and Wisdom” by Bartolini

Accademia Plaster Sculpture Museum Florence, Italy
Gesso Museo - Plaster Sculpture Museum-Accademia

Sunday, May 15, 2016

Sculpture Armature

Dear Art Lover,
    
     There are times when I realize just how much I left back in Texas.  Today, I am referring to my sculpture tools and supplies.  In the end, I found no reason to turn down what I hope will be a fun commission experience.  I had previously wondered if I would ever create another bronze after being disappointed with an experience I had with a foundry last year.  Now, it seems I will learn something about at least one foundry in Italia.

     Anyway, despite all the supplies and tools I have in storage in Texas, they will not do me any good in Italia.  So, I have bought wire and am using things that I find in and around my home.  It turns out that my landlord once again saves my days.  Not only does he allow me to borrow his tools, he also used to work in a metal shop.  Recently we drove together to Firenze to pick up in his van some furniture that I had bought from a friend.  Along the way he pointed out many of the greenhouses that he helped to create and install in Tuscany.   

     Thursday we returned with his dog Gregory to his former place of work and he cut a few pipe parts and grabbed a small metal “slab” and welded together a pipe to the base and created an adjustable horizontal bar to my specs.  This will be the part of the sculpture armature that will add extra support outside of the actual sculpture.  The sculpture will also have metal under the clay, or I may be using foam under the larger sections…just woke up from a nap with an idea on how I might be able to solve I problem that I have been mulling over.  Will keep you posted, if it works!

welding, sculpture armature, dog barking at fire, Tuscany, Italy
Gregory, the puppy, is not a fan of welding.  Tuscany, Italy

     Anyway, here is an image of the welding being done.  My landlord’s dog Gregory did NOT like the fire and apparently is a brave one, even at five months old.  He kept running right up into the work area and tugging on his companion’s pant legs to “save him.”  It was cute, and you may see a few more images of Gregory at work on my Facebook page.  However, it was dangerous and soon after this shot, I grabbed the puppy during a break from the fire and took him into another room to distract him.
sculpture armature is a support for the wax or clay original sculpture
The armature is what supports the weight of the clay and future mold.

      This second image I took today.  It shows a definite work-in-progress!  I am creating a bronze sculpture, possibly to also exist as a fountain if the new owners choose, that will in any event sit down inside of a small circular pond.  The upside down bucket you see is a visual space holder.  I want to create a design that looks beautiful above the top ledge of the wall, as well as have it look good as one approaches the pond and looks down into the well. I moved everything inside since we have been having many days of rain lately.

     This sculpture is an adaptation and enlargement of my original bronze “Cattails and Frog Legs” that I described in my last post here:

See more images of the bronze here:

I hope your weekend was a refreshing change of pace from your normal week.  Please share any of these posts that you find interesting.

Peace,
Kelly