Sunday, May 4, 2014

Red White Green Oil Paintings


Dear Art-Loving Friend,

    One of the things I wanted to learn is how to paint a brilliant red and all of the tones involved in order to make a red object look three-dimensional. Painters know that when one adds white to a pigment, the colors lightens and becomes bluer or colder. So, how does one lighten red and still have it remain red and rich?

    Another skill to learn is that one must depict a white porcelain object using much darker tones than expected. The whitest white possible in paint is left for the highlight. And also in this project, a green is added as a complimentary color. Adding to those ideas, in the first one that I painted, I wanted the subject in light to be in the background of the work, letting the foreground go dark. This is a bit opposite from the Tenebrist project "Giuseppe's Tools" that I painted, in which light emerges from dark, advancing towards the viewer.

    I hope you enjoy these two still life paintings. "Red, White, and Green" is 70 x 50 cm [oil on wood], while "Olives and Oil" is 24 x 45 cm [oil on canvas]. Both are available… Just respond to this e-mail or contact me as you wish, if interested.

Happy birthday, Rudy!  34 already!

oil painting on wood panel with red cloth, white porcelain, and greenery
Above:  "Red, White, and Green" oil painting on wooden panel [with GessoVero by Kelly Borsheim]
oil painting of red cloth and white porcelain vase, with bowl of olives art
"Olives and Oil" an oil painting on canvas featuring a red cloth, white porcelain oil flask, and bowl of olives by Kelly Borsheim

Saturday, May 3, 2014

Invite to Personalities Wine Art People Exhibition

Dear Art Lover,



As I began to unpack my art in front of Amerigo and Carmela, proprietors of VinOutlet here in central Florence, Italy, they started having some ideas and seeing possibilities.  They were immediately drawn to some portraits that I had created some time ago of some of my artist friends.  The portraits are a bit unusual in that they are white pastel on black paper.  I did the series out of curiosity.  Before this, I had created tone drawings with a variety of darks (charcoal and pastel) on light paper and I wanted to know how much one could stretch the range of tones by using only white. 


[leggere qui di seguito per questo invito in italiano]


First, the invite:  VinOutlet is featuring some of my artworks and you are invited:

Art Opening:  "Personalities:  Wine, Art, People"


Friday, 9 May:  6 - 9 p.m.

VinOutlet at Borgo Ognissanti 70/r

50123 Firenze, Italia   [Florence (FI) - Italy]

http://vinoutlet.it/

Tel.  +39 055 26 70 495




Come on out for a fun evening and start your weekend well!






Some of the personalities are:
  • "Hélène" has been paired up with Negramaro Organic "Pirro Varone."  This red wine comes from Apulia, a region in southeast Italy.  Negramaro comes from a very warm place with lots of personality.  "She is powerful, but not overwhelming," said Amerigo Coli.  "Red is the line that links passion to good food."

  • "Jessica" calls to mind the more elegant Ruché di Castagnole Monferrato "Il Firmato."   This red wine consists of 100% Ruché grapes and hails from Piedmont, the region most northwest in Italia.  She comes from an almost forgotten grape.  It was thought to have been destroyed when many Italian grapes took a hit back in 1910 after some imported plants from the USA included an insect for which Italian (and even Spanish and French) grapes had little immunity.  However, in the 1950s a young priest was sent to the region to try to rebuild it after the war.  He discovered the grape in a small field near the church and shared it with different farmers who revived the autochthonous grape.  This wine conjures images of feminine flowers, having soft and very perfumed scents of rose and geraniums.  Ruché has a 14.5% alcohol content.  She bites, but you do not feel the bite [or so Amerigo assures us!]

  • "Dana" is paired with Tegolaia Travignoli Supertuscan 2005.  This red wine is from Tuscany.  She is a more international wine, but is aged in small French oak barrels.  The smaller barrels give the vanilla or chocolate, sometimes spicy bouquet to the wine.  The phrase "SuperTuscan" refers to a wine made from blends of grapes that are grown in Tuscany, but which have a foreign origin.

I hope you enjoy this collaboration between VinOutlet and Borsheim Arts Studio.  You may access both the wine and the art online, but would it not be much more fun to just come and see us in Florence?

http://vinoutlet.it

http://BorsheimArts.com



Salve a tutti gli amici dell'Arte!

Appena ho mostrato le mie opere ed i miei quadri a Carmela e Amerigo, proprietari di Vinoutlet a Firenze, abbiamo subito iniziato a parlare di idee e cose da fare. Entrambi sono stati attratti immediatamente da alcuni ritratti di miei amici artisti che ho creato qualche tempo fa.
Sono ritratti un po' fuori dall'usuale, sono infatti pastelli bianchi su cartoncino nero. E' una serie di disegni fatti quasi per curiosità. Prima di fare questi in bianco e nero, avevo creato disegni con una varietà di chiaro-scuro (carboncino e pastello) su carta leggera e volevo sperimentare e capire quanto fosse possibile espandere la gamma di toni usando soltanto il bianco.




Alcuni dei miei lavori sono in esposizione da Vinoutlet e siete invitati all'evento:

"Personalità: vino, arte, persone."

Venerdi 9 maggio dalle 18.00 alle 21.00

Vinoutlet Borgo Ognissanti, 70/r

50123 Firenze - Italia

Tel. +39 055 26 70 495




Vi aspettiamo per una serata divertente ed iniziare bene il fine settimana!




Ecco alcune delle personalità:

"Hélène" è stata abbinata al Negramaro "Pirro Varone". Un vino pugliese, proveniente da una regione ricca di sole e personalità. E' un vino con personalità ma non irruento" come dice Amerigo Coli. "Rosso è il trait d'union che unisce la passione ed il buon cibo"



"Jessica" ricorda invece il più elegante Ruchè di Castagnole Monferrato. "Il Firmato" è un Ruchè in purezza che arriva dal Piemonte, frutto di un uva riscoperta negli anni '50 che si pensava distrutta dalla filossera arrivata dagli Stati Uniti agli inizi del '900. E' stato un prete delle campagne di Castagnole a rivalorizzarla ed a far arrivare il suo nome ai nostri giorni. Ruchè ricco di profumi floreali di rosa e geranio. Un po' come Jessica, i suoi 14,5° mordono ma dolcemente.

"Dana" è stata abbinata al Tegolaia, Supertuscan 2005, rosso del Chianti Rufina e fra tutti, è il vino di gusto più internazionale, come il personaggio di Dana che ha viaggiato il Mondo in lungo e largo. E' invecchiato in barrique francesi  che ricordano sia la vaniglia che le spezie più piccanti.



Sperando che questa collaborazione fra Vinoutlet e  Borsheim Arts Studio  sia di vostro gradimento  vi aspettiamo numerosi per scoprire il "gusto dell'arte".

http://vinoutlet.it

http://BorsheimArts.com

Thursday, May 1, 2014

Florence Italy Artisan Fair

Dear Art-Loving Friend,

     Today is the last day for Florence, Italy's "Mostra Internazionale dell’ Artigianato" or as my friend calls it, "The Ethnic Fair."  She looks forward to it every year.  This was the first time that I had ever attended.  It is held in the Fortezza da Basso, a huge contemporary exhibition space and former stronghold for the city.

     We went on Sunday, with the reduced entrance fee of only 4 euro (instead of 5,50).  [It is azalea season here, so the entrance was pretty.  Inside there are TONS of booths and they are organized in various sections. 


     My sister and brother-in-law are a big fan of beers, especially the flavored beers or regional brands.  This book caught my eye long enough to get offered a shot of beer for breakfast.  [Alex says this means "Success." ha]

The following shot was in the home and garden section, I think.  It seems so Italian to me and is a fun idea:

     I enjoyed the building containing recycled crafts that featured hand-made practical things from everyday objects.  Although well designed, I am not sure that the purses made from inner tubes and tires would suit me.  I could smell them from a fair distance!  However, there were many clever and some attractive ideas. 

     In the section of health products, my friend and I got to sample "Ass Milk" [a Kelly translation!] on our hands.  This lotion is made from donkey milk and appears on the expensive side.  But it felt good and was not at all greasy.  Naturally, I bumped into a friend of mine.  He patiently waited to say hello until I was done with the ass.

     The rich colors of spices never cease to charm me and there were several booths offering up these colorful and tasty treats.  I just wish that I knew more about what to do with them.

     Enjoy some of the largest loaves of bread that I have ever seen:

     And what patterns these umbrellas en masse make!

     My friend and I spent most of the time in the lower level of one building... what she calls the Ethnic Fair.  It is arranged by country, so it reminded me a bit of Disney's "It's a Small World" or Epcot... I bought rocks, but there were plenty of other temptations.  The little girl dresses are from Madagascar and really adorable.  Just another reason to go see that island country.












     I had to get the dog shot in since I love dogs inside... who knew really until I had my own companion.  He changed everything.  Italia is definitely open to allowing dogs in anywhere.  I just wish that Firenze had more public garden spaces for the animals to enjoy.

     This next is an image of one of the several varieties of 3-D "carving" machines.  I know that sculptors are jumping on board this idea of scanning their designs or creating sculptures on a computer and then cutting them out using a program and automatic blades, but for me, that is just not sexy enough and takes the tactile fun out of it for me.  However, the technology is in use and I cannot stop "progress" even if it ruins my own career.  And truthfully, I am still fascinated by machines. and engineering.

     This last building we entered contained more of the finer arts.  This last image is not a painting.  It is one of the images created in "pietra dura" (literally translated into "hard stone").  It is the fine art of mosaic and each piece of stone is carefully choosen for its colors and patterns and then precisely hand cut to fit into the next shaped stone.  I have mixed feeling for "Pietra dura."  If the right stones are chosen and the design is artistic, then I tend to feel awe when I see them.  If not, they look kitsch and horrid.



     Today is the last day of the Arts and Crafts fair at the Fortezza.  It is open until 10 p.m. today and I am told it is bargaining day more than any of the others were.  Last night was Firenze's "Notte Bianca" and between that and having friends in town this week, I am getting a late start on the day.  Today is also another one of those Italian spring holidays.  So, I need to get to work now!  Thank you for reading.

Saturday, April 19, 2014

Colorful Compositions In Pastel and Easter in Italia

Dear Art-Loving Friend,

I am trying to prepare for my trip soon to Australia… I will be judging an art completion, teaching workshops, and much more for a couple of weeks in May during the Sarita Arts Festival, 25th anniversary… and then a sweet friend and I will be going to Tasmania. 

So, I want to start working on landscape images.  Just as my still-life studies are my attempts to get good at things in which I had previously little experience, my landscape works will lead, I hope, to larger and more complex compositions.  In the tradition of artists ateliers, most professional artist had assistants specialize in certain parts of a whole paintings… but I want to do it all.  Surprised?  Hahah. 

Anyway, I hope you enjoy these two pastel artworks.   They came from a trip I took to visit a friend in Santa Margherita Ligure, on the northwestern coast of Italy.   Several of us artists hiked to Portofino and I loved this grassy field we came upon during our hike.



"Santa Margherita Grasses I"
20 x 28 cm pastel on UArt Sanded Paper
copyright 2014 by Kelly Borsheim
http://borsheimarts.com/
Available $350 including worldwide shipping [or both for $600, including shipping]


"Santa Margherita Grasses II (con PomPoms)"
20 x 28 cm pastel on UArt Sanded Paper
copyright 2014 by Kelly Borsheim
http://borsheimarts.com/
Available $350 including worldwide shipping [or both for $600, including shipping]


On another topic, Easter (or Pasqua, as it is called here in Florence, Italy) is celebrated tomorrow.  Several years ago, they changed the mass with the Blessing of the Relic to Saturday evening before Easter morning festivities.  This is the post I wrote when I attended this mass years ago, with images, of course:
http://artbyborsheim.blogspot.it/2010/04/easter-in-florence-italy.html

And here are some of my images of a past version of the fantastical (or as one of my British friends called it:  Willy Wonka-ish) spectacle of the Explosion of the Cart, Florence’s Easter celebration:
 http://artbyborsheim.blogspot.it/2008/03/easter-in-florence-italy.html
Allora, Buona Pasqua!
----
Did you know that my blog is searchable?   Just visit the main page:
http://artbyborsheim.blogspot.com
and see the search term entry box just below the subscription section on the right. 
Happy searching and if there is a topic you would enjoy my writing about, please let me know what it is.  Thank you for reading! 


Tuesday, April 8, 2014

Dear Friends,
I have finally gotten an edited version of my art images from Madrid together and into an article.  If you are interested in up-close looks at artworks (some less famous than the ones most other people speak of), please read my latest art newsletter.
http://www.borsheimarts.com/news/2014_04-Madrid-Prado-Thyssen-BellasArtesSanFernando-Museums.htm


Also, I introduced a snapshot of one of my latest paintings... a 30 x 50 cm still life with an artichoke, radishes, potatoes and leaves in oil paint on a thick Vasari-brand canvas.






And it is available . . . please inquire.  Thank you!
Kelly Borsheim

Friday, March 28, 2014

Rodin in Roma

Cari Amici (Dear Friends),

During a recent trip to Roma, my painter friend and I visited the Rodin exhibit happening now.  Only white marbles by the French sculptor were on exhibit and it was interesting to see them all together in one long ancient room of brick.  The curator wanted to show something of the thought processes of the artist.  I appreciated the choices here and glad to see ONLY the stone.
It is a problem for me to refrain from touching sculpture, and sometimes even paintings.  Sure, I understand about keeping something treasured in a good condition for future generations (hey, with pollution these days, even keeping something lovely for OUR generation is a struggle); but I think that love should be expressed and some of the most beloved sculptures throughout the history of man have worn-down parts from too much touching or the rubbing of fans and believers.    
I think part of the solution is to have more people buy the art that moves them, so they may enjoy it as they wish.  As a creator, I am thrilled when collectors feel that the art makes a real difference in their lives.  More people living with beloved artworks also has the fringe benefit of keeping artists working.  [Perhaps part of the problem is that we artists are not inspiring many these days?   Thoughts, anyone?]

A strange feeling has been growing in me for many years now:  a reluctant admission that white marble is lovely, but cold when it comes to depicting human flesh.  It has a beautiful way of standing out in an outdoor environment and lending class to any situation.  However, we have so many colors of stone to choose from and I like this idea very much.  Also, I do not enjoy as much the solid white marble.  A little bit of natural veining lends some sort of authenticity to what the artist has accomplished in this living material – one knows that the works was not cast, afterall.  That said, I will be happy when my focus turns again to stone.  Right now, I am limited by the location of my current flat (in the city) and my lack of tools.  I am missing my former life in Texas a little, especially the ability to work outdoors surrounded by trees and privacy.

Ah, but I digress, as is my way too often… As for Rodin, I saw in Roma some carvings that I had never seen before.  I do not like all of Rodin’s work, and I think that is natural.  However, he pushed into the emotional and, specifically, the sensual realm of human expression.  For that alone, the world should be forever grateful.  I include here some of my better shots from the exhibition.  The lighting was soft over the white marble.

Exhibit runs now through 25 May 2014
“Rodin. Il marmo, la vita”
18 febbraio / 25 maggio 2014
Museo Nazionale Romano alle Terme di Diocleziano, Roma
[an easy walk from the Termini train station and Piazza della Repubblica]

Here is one page with more information and images (although the text is in Italian):

http://www.romeguide.it/mostre/rodinilmarmolavita/rodinilmarmolavita.html












Sunday, February 16, 2014

Still Life Painting Project

Cari Amici (Dear Friends),
Some days these days I do not often know which is one day and which moment belongs to the next.  I have been pushing myself to get a lot accomplished during my last term at the Angel Academy of Art here in Florence, Italy.  I am currently on my last still life project:  the texture project.  Parameters consist of a bas relief background and perishables (in my case fruit).  The central object of interest is a vase that I received from my dear friend Hélène Delmaire about five years ago. 

Anyway, this image shows you my previous project:  the red, white, and green one.  How to paint a bright red, as well as a white object using colors much darker than pure white paint (because the highlight must have that).  On the floor, you may see my textured background … a sample for stone on the exterior of a home.  Thanks to Materi.ka ... materiali per la casa, Via Capo di Mondo, 21R, Firenze for the display sample.  It was missing some rocks on the corner, so I made some out of clay and then painted them a similar color.



I had asked the Maestro of the school if I could have a studio space next to a wall so that I would be less tempted to be the party organizer and socialite that I am so tempted to do when around people and on comfortable ground.  I must say, in addition to some privacy, the wall also gives me more storage space. 

Now, to work on other things in my life on this lovely Sunday. . .