Room With A View Italy

Cari Amici (Dear Friends),

Here are some shots of from my office window, morning then afternoon. How about that rainbow? This morning, my client upped the ante on my deadline. I must return to Firenze by the 24th of September and he and his wife will leave Italy not much longer after that. So, he plopped down a 1 TB external hard-drive this morning. He knew I needed another one because several weeks ago when I was here, I spoke to a friend of his at dinner about computer advice and more. The deal is that if I finish by the 23rd, I get to keep the hard drive as my reward. If I do not, then I keep the hard drive, but he takes the price out of my artist’s pay. Haha.

I used to think of geraniums as “old lady flowers.” But here in Tuscany, their brilliant reds against the stone and landscape have made me a tifosa (fan). I hope you enjoy those and the lovely skies. I just cannot seem to stop looking up!

Mural Project Italy

Cari Amici (Dear Friends),

I have the perfect client! He not only treats me as a professional, he gives me his dream requirements and then he also allows me to interject my artistic opinion and usually goes with it. He contacted me this spring and asked for a large painting. He had the idea fairly fleshed out in his mind, consisting of three voluptuous women, Roman ruins, mountains, and a pool in which the babes would frolic. But not knowing the lingo, he said “mural.” By the time I finished asking him questions to clarify his vision, he agreed that a mural on the entire wall was much better than what he thought he wanted.

He is also ideal because he can just look at a very rough sketch of my basic idea and see past the scribbly charcoal and into the vision. Over the summer I have fleshed out more of the details and spoken many times with my new mural guru, Victor Goikoetxea. After arriving at the site of my very first mural (as a grown up, I mean, since my mother let me paint an ocean theme on my bedroom wall when I was a young teenager), I recalculated a few details in the perspective and architecture part of the designo.

My client helped me on my second day here to draw all of the perspective lines in pencil on the wall. See how perfect he is? Even giving me an extra pair of hands! Actually, I think he is quite interested in the whole art-making process and has warned me that many neighbors and guests will be dropping in from time to time to watch me work. So, this is to be more like vertical street painting! Ha.

The second day I was delighted when I was told to come see the cinghiale in the yard and caught one on “film” here. The fig trees are starting to have ripe red fruit, and the beasts want to eat them more than they want their privacy in the woods. Who could blame them? I have myself been eating the juicy figs right off of the tree!

In this last image, I tried to show you how much I have drawn on the wall. I am not that good with Photoshop and thus just ended up making the contrast higher and then darkening the image. I hope you can see some pencil marks. There is a ventilation window in the upper left part of the wall. It was a bit of a problem and a HUGE consideration when I designed the mural. I was not sure if my idea would even work, but we took a look at the sketch on the wall and think that with some embellishments, all will be lovely. Here the dark wooden door with black iron hinges has been taken off and the base coat of white paint was painted over the red brick and wood piece that creates the opening. That way, I can paint right up to the window and the illusion will work better.

I am lacking sleep these days, not just these few days, but also because I explored San Sebastian, Spain, a lot, as well as spending long days at the mural workshop, trying to learn as much as I could in half the time of the other students, who stayed for the whole month class. I even spent one night working at the atelier in an attempt to get to a point in which I could continue with the next step of oil painting. Still, I have yet to learn that while I can do anything that I want, I cannot do EVERYTHING that I want!

Thank you for reading. I am not sure if I let you know often enough how grateful I am for your interest in the art and my journey.

San Sebastian Spain

Cari Amici (Dear Friends),

Sometimes life feels like a “chicken and egg” thing. My friend Victor Goikoetxea who I met in Firenze, Italia, had only just told me about his mural painting workshop in his hometown of San Sebastian, Spain, when one of my collectors with a home in Italy told me that he had an idea for a mural he wanted me to paint. It has been a crazy, life-filled summer with a few unexpected twists.

With my schedule I found myself flying into Barcelona from Italy in time to catch the overnight bus across northern Spain. I arrived around 7 a.m. and was greeted by my kind host, one of Victor’s cousins. He drove us home and after being introduced to his family and dropping off my suitcase, his wife and kids walked me over to the mural workshop in the central part of the city. We began the first lesson shortly after 9:30 a.m.

While I have studied perspective before, I always need to “relearn it,” not using it to this degree so often. We spent the first 2-3 days calculating the proportions of a design that Victor had already come up with. The drawing of the bozzetto is the most important part of the work and most of us took a full week just for the drawings. We drew everything to a smaller scale than our real project and thus, one must always remember which number we are referring to. It spins my head around and I enjoy math!

Anyway, after working that whole day after a long sleep-deprived bus ride, I was surprised at my energy level. I met all the other artists taking the workshop and went out with a couple of women from Paris that evening. We had dinner on the beach and I took this snapshot of San Sebastian’s famous shore. Do you see the light in the clouds in the shape of a bird? I love watching skies!

The first thing that really struck me about this city is the architecture. It feels as if Alphonse Mucha and his Art Deco tribe settled here and made themselves comfortable. It is gorgeous here, with even door pulls having flowing beauty. Prettier than Bilbao. There… I wrote it.

By the third day, I was drawing an enlarged version of my bozzetto onto my canvas at three times the scale. We drew with pencil and will paint with acrylics and oil. Having already designed most of my first mural project in Italy, I was grateful that we were saving time on this workshop project because our instructor Victor had already done all of the creative design work for us. Sometimes I think that people just think we pop this stuff out of our heads. Well, sometimes we do (usually after many years of creating), but just like Albert Einstein, few become genius before having worked a lot in the field beforehand, learning, making mistakes, making progress, and repeating the whole process… a lot. I doubt very much that geniuses are born. Made, I believe in. Even then, most of us do not reach that lofty title, and remain simply students. It is a good thing that learning itself is rewarding.

P.S. No, I have not forgotten the anniversary that most people are thinking of today. I have no wish to make light of what happened by seeming uncaring about it. But I have always been confused on where the line is between remembering loved ones we have lost and letting losers remain famous for their “triumphs.” In my own personal grieving, I rarely remember the day a loved one dies, preferring to remember the life and the love, wherever and as often as it moves me.

Eugenio Lucas Velázquez Bilbao Spain

Cari Amici (Dear Friends),

In my last post, I wrote about seeing the etchings of Francisco de Goya in the Museo de Bellas Artes de Bilbao, Spain.

A small part of the wonderful exhibition was a collection of paintings inspired by Goya’s etching style and ideas. Most of those works were beyond me. [I think that is my current polite way of saying that I either do not understand it or I just do not like something.] However, one small painting blew me away! It was an oil painting on copper titled “The Communion” by Spanish painter Eugenio Lucas Velázquez (1817–1870). It was painting in 1855 and the depiction of light is phenomenal!

This is a strong composition that relies heavily on the composition “Rule of Thirds.” This rule refers to the idea of dividing the image into thirds by using a grid system (think Tic Tac Toe, but with any rectangle). The four points where these vertical and horizontal dividing lines meet are the key points of interest for the eye. The strong light figure on the left side coincides along one of these lines. The strong dark figure in the lower right also lies on a point of interest, more or less.

The overall horizontal design of this painting gives one a sense of calm. The dramatically lit standing figure gives the feeling of strength and stability (the basic emotional feelings for vertical lines). And yet, diagonals are where we get our sense of drama, or more important, movement. We are kept from being bored in Eugenio Lucas Velázquez’s painting because of the subtle diagonal of the crouching figures. Their heights vary and if one moves along the top of this gathering of sinners, one can imagine playing music or something. [I suppose this is one of those weird Synesthesia situations or perhaps only the memory of my musical training.] And if that were not enough, the artist has given us a strong diagonal of light underlying the figures and leading the viewer’s eye back into the standing priest in white.

The faces and figures are hardly detailed. The small painting has quite a lot of texture, even in some of the darker areas. It is a rich painting of a grande idea. It is simply (or not so simply) gorgeous.

Goya Bilbao Spain

Cari Amici (Dear Friends),

This past week and for this next one, I am learning the art of mural painting from my friend and colleague Victor Goikoetxea in a workshop here in San Sebastian, Spain. I was lucky enough to be offered a day trip on Saturday to nearby Bilbao with my host family, one of Victor’s cousins. After arriving in Bilbao, I was dropped off in front of the famous Guggenheim Museum. That was fun, but even before I explored the grounds of the Guggenheim, I saw banners hanging from the street lamps advertising something even more enticing.

I could not believe my luck: there is an exhibition going on at the nearby Museo de Bellas Artes de Bilbao of Francisco de Goya’s etchings! I find myself intrigued with etchings and know that if I possibly can, I will learn more about this process enough to try my hand at it. Goya (1746-1828) changed the way that etchings were viewed. According to the writings on the walls of the museum, etchings were traditionally created as copies of paintings. They were intended to create a wider public awareness and appreciation for a painter’s work. Rarely before Goya had anyone used the printmaking process to create original compositions. And what wonders Goya created!

Even if you find Goya’s subject matter dark or too satirical or something (insert your own adjective here) for your taste, perhaps you can appreciate his dramatic imagination, as well as his ideas of composing in light and dark. Much of his work was a direct outcry at the excesses and abuses he saw in his own culture and for this, he was not without censure. He was a master at expressing himself. While the museum permitted absolutely no photographs, I include here some of Goya’s etchings and/or aquatints that I found on the Internet that show much of his skill in creating many different tones by “scratching” made into copper plates. I know artists who work in this medium and it is not a skill developed overnight!

Goya: “The Well-Known Folly” aka “If Two to One Stuff Your Arse With Straw”

Goya: Disparates series -- “Strange Folly”

Goya: Lucientes – “The Sleep of Reason Produces Monsters” the caprices, 1799

Goya: “And They Still Won’t Go” 1799

Goya: ”Disparate de Bestia”

Goya: “Que Viene Coco” or “Here Comes the Bogey Man” 1799

Goya: “Los Ensacados” or “The Bagged” 1823

This exhibit of Francisco de Goya and other artists inspired by Goya ends on 23 September 2012.

Incidentally, two of the etchings that I saw had a figure in it that no doubt inspired the Frankenstein image we see in films. I was stunned at the resemblances!

Art Lover Writes to Artist

Cari Amici (Dear Friends),

I received some interesting feedback from a fan of my stone carvings and thought that I would share since I have been busy working and preparing for my trip to Spain soon. While I cannot answer everyone’s questions, I try to read everything that I can. It was kind of Mr. Francis McLaughlin to put some time into specific comments on each sculpture. You are also invited to comment on the blog, if you like. I recently gave the blog a slightly new look that I hope is easier on the eyes.

Thanks you and read on, if you like. He is referring to my original stone sculptures. If you click on the image title, you may then view the individual sculpture site page that includes more views of each artwork, as well as images of the stone during the carving process. Please inquire as to availability if you would like to take advantage of my LayAway Plan (as many have) or if you just want to add an artwork to your collection right away. The prices are all online on my pricelist page. Thank you.

Kelly Borsheim, artist

Dear Kelly,

You’re such a beauty; but just like flowers, all that’s sweet is transitory. Be tough on life; squeeze it, for what it is you really want. There must be some desire that is most important to you, maybe falling in love, or doing the greatest art, and in your case that would be a wow. You’re become famous enough to have a hundred demands on your time. You don't have to respond, I'm so grateful that you did, I'll watch your career with a sweet tear in my eye, and hope that your wonderful talent continues in a most fertile environment.

I took a quick half hour look at some of your things, I noted how thrilling they hit me.

Torso 8 (above) is sensational for me because I see such sensuality in motion with the turning figure.

Ascension Invitation: The attraction on mythology lies begging in our psyche, this piece stimulates that realm.

Gymnast: Sweet is always good, that feeling of sentimentality that lives near sweet works for most of us.

Back to Back: To get sensually involved tugs heavy on us.

Lips of Life: Great theme this could be done again and again for a long long time with an ever increasing joyful romance.

Zebra Lips: The impact of contrast and color alone, stun me in a fresh way.

Yin Yang: A wonderful porn piece that puts me where I like to go.

I’ve become pleasantly exhausted looking at your work. I’ll return when I recover, to see what more things you’ve done, that both thrill and inspire.

Most grateful thanks
Francis

Sir Lawrence Alma-Tadema

Cari Amici (Dear Friends),

I have returned to Firenze, Italia, from my lovely trip to Serbia, only to discover that I have too many friends. Ha.. My life seems to be go-go-go and while it is a lot of fun and I feel a bit spoiled, I am also feeling antsy because my art making has slowed too much. Soon, I go to Spain to study mural making. It was an excellent opportunity too good to pass up and the timing could not have been better: I have a commission to paint my first mural. I am excited and nervous about it since there are many new things for me to attempt.

I am currently trying to seclude myself for this week to finish the bozzetto (Italian for “sketch,” in this case similar to maquette or a small model of an intended larger work). Like most artists, I find inspiration from my colleagues of the past, as well as my contemporaries and my own imagination. Most of my work happens in my head long before anyone else will even see one mark of it. I was delighted last weekend when I visited my clients and showed them my charcoal sketch. It was very loose and I commend them and their friends for catching on to what I was trying to express.

To find inspiration for this project, I turned to one of my favorite romantic artists, Sir Lawrence Alma-Tadema [Born: Dronryp, Netherlands on 8 January 1836; Died: Wiesbaden, Germany on 25 June 1912]. He is often thought to be British (and lived in England for many years), but his interests and life were much broader than one country could hold.

I am including four images here of some of Alma-Tadema’s paintings that helped me with my composition. I also include here an image that I took in Serbia, which is also playing a role in my future mural.

Basically, I was told by the client what elements he wanted in what started out as a painting for a wall. But I had envisioned something larger and next thing you know he was preparing the wall with the latest technology in Italia: cork insulation with aluminum foil to keep out moisture and then covered in fresco-type material and sealed. You might imagine the laugh we had when I told him what I had envisioned as he sent me progress reports on the wall each day that I was in Serbia! [The foil threw me, but is laminated on a sheet of cork… whereas I had envisioned a home-made job of sheets of foil being pushed into the wall and lots of wine drinking going on to get corks available. Ha. My vision no doubt is also a memory of my friend Andrew Corke who is creating art with real wine corks. But, I digress . . . as I do.]

I made a list of all of the elements my client wanted (three curvaceous, long-haired scantily clothed female figures, Roman ruins, arched window(s), a pool for the ladies, etc.). I then mapped out the proportions of the wall and included various architectural elements (such as an awkwardly placed “window” in the wall) and furniture that would block some of the view of the mural.

My first disegno did not make me happy. It felt cluttered and lacked the impact that a mural should have (as a good street painting does). However, it was a necessary part of my process because my reaction to it led to a much better second attempt. So, I now have approval and need to solidify the drawing and hire the models. Stay tuned for progress images, although there will be a trip to Spain here before the mural begins.